Professor Herbert Beery
The Tales of Beedle the BardProfessor Herbert Beery was the Herbology master at Hogwarts and an enthusiastic devotee of amateur dramatics. His best-known theatrical venture, a Christmas pantomime adapted from “The Fountain of Fair Fortune,” collapsed into fire, duelling, and injury before its heroes could reach the top of the stage hill. The disaster ended Hogwarts pantomimes as a school tradition and left Beery himself with a lasting aversion to staging the story.
Identity and Background
Beery taught Herbology at Hogwarts and pursued amateur theatre with conspicuous enthusiasm. He proposed adapting “The Fountain of Fair Fortune,” a much-loved children’s tale by Beedle the Bard, as a Yuletide entertainment for staff and students. The project joined his professional life as a teacher to his personal theatrical interests, with the school community cast as both performers and audience.
The account of the production comes from Albus Dumbledore, who was then a young Transfiguration teacher. Beery assigned Dumbledore responsibility for the special effects, giving the production a practical magical foundation as well as a human cast. The division of duties would prove sharply ironic: Dumbledore’s elaborate stage devices performed as intended, while the director failed to recognize the volatile relationships among his student actors.
The Christmas Pantomime
Beery directed the production, which was designed to make the story’s journey visible onstage. Dumbledore supplied a functioning Fountain of Fair Fortune and a miniature grassy hill. The three heroines and their male companion were meant to march up the hill as it slowly sank into the stage and disappeared. Dumbledore later judged both effects to have performed their allotted parts successfully.
The cast’s private circumstances undermined the play before it could begin. The students playing Amata and Sir Luckless had been boyfriend and girlfriend until an hour before the curtain rose. At that point, the student playing Sir Luckless transferred his affections to the student playing Asha. Beery, acting as director, had been unaware of the emotional entanglements unfolding under his nose. The roles’ romantic alignments thus became entangled with the performers’ changing relationships, and the play’s staged pursuit of fortune never reached its intended destination.
The first major failure came from the creature intended to represent the story’s gigantic Worm. Professor Silvanus Kettleburn, the Care of Magical Creatures teacher, had supplied an Ashwinder enlarged by an Engorgement Charm. It exploded in hot sparks and dust shortly after the curtain rose, filling the Great Hall with smoke and fragments of scenery. The enormous fiery eggs it had laid at the foot of Dumbledore’s hill then ignited the floorboards.
As the stage fire spread, the students playing Amata and Asha turned on each other in a fierce duel. Beery was caught in the crossfire, and staff had to evacuate the Great Hall when the inferno threatened to engulf it. The night’s entertainment ended with the hospital wing packed with casualties. The Great Hall retained a pungent smell of wood smoke for several months, while Beery’s head took even longer to return to its normal proportions.
Consequences at Hogwarts
Headmaster Armando Dippet responded to the catastrophe by imposing a blanket ban on future pantomimes. The ban became a lasting non-theatrical tradition at Hogwarts: the school has not resumed the festive performances. Beery’s failed attempt therefore had consequences beyond the immediate destruction and injuries, transforming one disastrous production into a rule governing later generations of staff and students.
The aftermath also linked Beery’s fate to Kettleburn’s record of recklessness. Kettleburn was taken off probation after the incident, despite the danger created by the enlarged Ashwinder in a wood-panelled hall. He had survived no fewer than sixty-two periods of probation during his employment as a Care of Magical Creatures teacher, and his relations with Dippet were strained because the Headmaster considered him reckless. The pantomime’s aftermath was thus one episode in a wider pattern of Kettleburn’s repeated disciplinary trouble, rather than an isolated consequence for Beery alone.
Later Career and Legacy
Beery eventually left Hogwarts to teach at the Wizarding Academy of Dramatic Arts. Even there, the memory of the production remained active: he once confessed to Dumbledore that he maintained a strong aversion to mounting performances of “The Fountain of Fair Fortune,” believing it to be unlucky. The former director’s response turned a public fiasco into a personal theatrical superstition, one rooted in the particular combination of a failed stage effect, an uncontrolled fire, and the cast’s offstage romantic crisis.
The episode’s reversal is that the play’s magical scenery worked while the production’s human and animal elements failed. The fountain and hill followed their cues; the enlarged creature exploded, its eggs set the stage alight, and the actors’ romantic tensions broke into real combat. Beery’s enthusiasm for amateur theatre could bring a beloved tale to the school stage, but his failure to account for the circumstances around the cast helped make the performance impossible to control. Its legacy was not another production or a successful adaptation, but a schoolwide ban and a director who would thereafter avoid the story.