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Mr. Honda's death

The Wind-Up Bird Chronicle

Mr. Honda's death, learned through a carefully formal letter rather than witnessed directly, turns a past acquaintance into a final obligation: Toru Okada is asked to accept a keepsake from the man who had once offered him guidance. The news also brings Tokutaro Mamiya into Okada's life, linking Honda's quiet death in Tokyo to the military history Mamiya shared with Honda's comrade, Corporal Oishi Honda.

The Report of Honda's Death

A thick registered envelope arrives at Okada's home from Tokutaro Mamiya, addressed in brush-written characters on heavy rice paper. Inside, Mamiya explains that Mr. Honda, the fortune-teller whom Okada and his wife had visited in the past, died of a heart attack at his home in Meguro two weeks earlier. Honda lived alone. A maid found him in the morning, slumped at the low table of his foot warmer; the doctors believed he had died quickly and without much suffering.

The letter's material form gives the news a gravity quite different from an ordinary notice. It is written on rolled rice paper in a flowing hand, in a markedly formal style that Okada struggles to decipher. Its old-fashioned appearance, the detailed account of Honda's death, and the care taken over the message make the report feel like a deliberate passage from the dead man's life into the lives of those he had known.

The Keepsake and Mamiya's Connection

Mamiya writes that he had served in Manchuria as a first lieutenant and shared the dangers of war with Corporal Oishi Honda. At Mr. Honda's strong request, and because Honda had no surviving relatives, Mamiya has taken responsibility for distributing his keepsakes. Honda left unusually minute instructions, including an explicit request that Okada receive a particular item in remembrance of him. The request makes Okada not merely a recipient of the news but one of the people Honda chose to remember.

The detailed will suggests to Mamiya that Honda anticipated his approaching death. Rather than treating the keepsake as an incidental possession, the letter presents its transfer as the execution of a considered final wish. Mamiya closes with his own appeal: as an old comrade of Honda's, with few years left to him, he would be deeply glad if Okada accepted the item.

Okada's Response and the Last Visit

Okada answers that he had been fortunate to know Honda and had benefited from their brief acquaintance. Though the two men were very different in age and had known each other for only about a year, the news brings their meetings back to mind. The reply begins as a short postcard but becomes more reflective once Okada starts writing, showing how the formal task of acknowledgment opens into personal remembrance.

Three days later, Mamiya telephones at seven-thirty in the morning while Okada is having breakfast with Kumiko. During his visit, he tells Okada that he has spent two weeks in Tokyo distributing Honda's belongings and that Okada is the final recipient. He can now return to Hiroshima. Okada asks whether he might visit Honda's home and burn incense in his memory, but Mamiya explains that Honda's family has already returned to Asahikawa after clearing the Meguro house. There is nothing left there to visit. The keepsake and Mamiya's account thus become the remaining means by which Okada can mark Honda's absence.

Narrative Significance

Honda's death is conveyed retrospectively through a letter and a follow-up visit, so the event reaches the reader as both a fact and an act of remembrance. Its consequences are practical—the distribution of belongings—and relational: it reunites Okada with Mamiya and places Honda's deliberately chosen keepsake in Okada's hands. The episode also gives Honda's death a restrained, domestic setting, emphasizing his solitude while recording that it was swift and apparently not prolonged by suffering.