Hope Standish
The World According to GarpHope Standish is the wife of Dorsey Standish and mother of Nicky in T. S. Garp’s embedded novel, The World According to Bensenhaver. After Oren Rath attacks her at home and abducts her, Hope survives by concentrating on what will keep her alive; she eventually kills him with his own knife. Her strength is not presented as freedom from fear or harm, but as the capacity to act within an ordeal designed to strip away choice. In the aftermath, she resists allowing either her trauma or her husband’s anxiety to dictate the shape of family life.
Identity and Family
Hope is introduced in a domestic scene: she is drying dishes while Nicky, not yet three, eats breakfast in his high chair. Rath enters the kitchen carrying a fisherman’s knife and threatens the child, placing Hope under immediate pressure to comply. The home, ordinarily a place of family care, becomes the starting point of the danger.
The Standishes live in a ranch house, chosen because they believe its layout will be safer in the event of a fire now that they have a baby. That practical decision gives the house a grim irony: the family has made a considered effort to protect Nicky, yet the danger comes through the front door. Rath takes the high chair with Nicky in it into the bedroom area and leaves the child outside the closed bedroom door. Hope tries to make him consider Nicky’s safety, warning that the child might choke, climb out, or tip the chair. Her attention remains divided between her own peril and the danger to her son.
Abduction and Survival
Rath takes Hope away from the house in his black pickup. At the barn, as piglets scatter from the corn spilled out of a silo, she asks whether he will let her go. His answer makes clear that he does not intend to release her. Hope recognizes that she cannot rely on persuasion and begins to orient herself toward survival: she must outlive Rath, get him caught or killed, or kill him herself.
During the drive, she notices that cars are passing at intervals and understands that the road is less isolated than the place they have left. She uses Rath’s attention and the circumstances inside the cab to keep him occupied, hoping to delay him before he can take her somewhere more secluded. Her actions are tactical rather than a sign that the threat has diminished. The scene makes the narrowness of her choices central: she has to read the immediate situation and use whatever opening it offers.
When Rath appears to think he has finished with her, Hope understands that he may kill her if he believes the assault is over. She therefore persuades him to continue, buying time at further cost to herself. The calculation is chilling precisely because it is practical: she treats the danger as an immediate problem to outlast, not as something she can reason away. Her thought of Nicky and Dorsey sustains her hope of returning to them, while her resolve remains fixed on surviving Rath.
Killing Rath and Its Immediate Aftermath
Hope gets hold of Rath’s fisherman’s knife. In the struggle, she realizes he may discover that its sheath is empty, and that the delay before he notices is one of her few advantages. She has no certainty about how best to use the knife, but holds onto it while assessing the danger. The weapon that initiated the attack becomes the means by which she can stop it.
After Rath is killed, Arden Bensenhaver reaches her. Hope is injured and disoriented, and her clothing has been torn; she turns away from him before explaining what happened. She tells him plainly that Rath raped her and that she killed him. She then clarifies that she used the knife during the assault, because it was within reach and she believed Rath intended to use it against her when he was finished. Bensenhaver accepts her account and tells her that she was justified. The novel’s account does not detach her act from its circumstances: it is presented as a decision made under an immediate threat to her life.
Marriage, Protection, and Conflict
Hope’s ordeal shapes the family’s later relationship with Bensenhaver, a retired policeman whom Dorsey hires to live with the family as an armed protector. Hope ultimately insists that Bensenhaver not continue living in their home. Dorsey keeps supporting him in a more distant role, including paying him to watch Nicky, but Bensenhaver becomes an uneasy and increasingly intrusive presence rather than a simple safeguard. Hope’s rejection of his residence marks a boundary: protection cannot be allowed to become permanent control over the household.
Hope counters Dorsey’s fear by insisting that they have a second child. Dorsey’s anxiety does not disappear; it changes its object. Once less preoccupied with the possibility of another assault, he begins to suspect Hope of having an affair and recognizes that the possibility would wound him more than her being raped again. He asks Bensenhaver to spy on her, but Bensenhaver refuses, arguing that he was hired to protect the family from external danger, not to police its members’ choices. Hope’s story thus sets physical vulnerability beside a different threat: Dorsey’s desire for certainty can itself become a restriction on the family he wants to protect.
Character and Narrative Significance
Hope is presented as a survivor of a brutal episode, but the embedded novel does not leave her defined by that episode alone. Her responses—to keep Nicky safe, to look for an opening, to take action against Rath, and to oppose Bensenhaver’s place in the home—show a continuing effort to recover agency. Her strength is compatible with fear and lasting harm; the story does not suggest that survival cancels what happened.
The framing account describes Hope, and hopes her children, as having better chances than the men consumed by anxiousness. Its contrast is not that women are untouched by violence, but that Hope endures fear and brutality without turning protection into an all-encompassing worldview. Dorsey’s wish to shield his wife and children becomes a source of suspicion and panic, while Hope insists on a family life not wholly organized around the possibility of catastrophe. Through her, The World According to Bensenhaver tests the difference between surviving danger and allowing fear to govern everything that follows.