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Elizabeth Barton’s public penance at Paul’s Cross

Wolf Hall

Elizabeth Barton’s public penance at Paul’s Cross is a state-directed public confession staged to weaken the influence of her prophecies and display the crown’s authority. Shackled and barefoot before a large crowd, Barton asks Londoners to pray for her and seeks the king’s mercy; the event presents her confession as both a personal act and a political warning.

Background and Political Purpose

The authorities regarded Barton’s prophetic following as a source of political danger. She had reportedly warned that the king would reign for only a year if he married Anne Boleyn. The investigation was meant not only to address Barton’s claims but to uncover the plans and networks around her, and to break the hold of those who invoked the end times, plagues, and damnation.

The crown chose a public ceremony because the threat was public. Thomas Cromwell describes the penance as necessary to dispel the terror associated with Barton’s predictions and to prevent the case from expanding into a tangle of rumours and fantasies implicating much of England. The proceeding therefore serves a practical political purpose as well as a religious one: it makes a confession visible to the people whose fears and loyalties the prophecies might affect.

The Ceremony at Paul’s Cross

On a cold day toward the end of November, Barton and about half a dozen leading supporters stand shackled and barefoot in the wind at Paul’s Cross. A large, boisterous crowd gathers as a preacher recounts what Barton allegedly did while her religious companions slept and the stories about devils she told her followers. Her confession is read aloud. At its conclusion, she asks Londoners to pray for her and begs the king for mercy.

The public presentation contrasts sharply with the earlier image of Barton as a lively young woman. By the time of the penance she appears haggard and much older. The account says she has not been physically mistreated and that the participants have spoken without duress; the difficulty, as Cromwell sees it, has been containing rumours and extravagant claims. The ceremony thus makes a particular version of events official while acknowledging how hard it has been to control the story surrounding her.

Questions of Agency and Responsibility

Thomas More, present among the city dignitaries, argues that Barton’s crime is that she was used. Cromwell, while saying he still cannot understand how she travelled from the marshes to a public platform, likewise distinguishes her from those who may have directed or exploited the movement. Their exchange leaves open a central question: whether the penance reveals Barton’s own culpability, the agency of her supporters, or the political uses to which her prophecies were put.

Cromwell proposes an act of attainder rather than a conventional common-law prosecution, reasoning that the law does not readily address women who claim to fly or raise the dead. He envisages treason charges for the principal figures and imprisonment, confiscation, and fines for others, while preferring to unravel the group’s plans rather than stage a lengthy trial involving numerous defendants and witnesses. The public penance is therefore one part of a wider strategy of containment and legal action, not the end of the inquiry.

Aftermath and Significance

Cromwell intends to take the confession to Canterbury next, so Barton can confess in her home region. The episode belongs to a broader pattern in which public ritual, legal procedure, and political messaging work together: the confession asks the crowd to witness an official account, while the planned proceedings seek consequences for the people around Barton.

The ceremony’s public force also sits uneasily beside the uncertainty surrounding it. More’s claim that Barton was used and Cromwell’s admitted difficulty in understanding her rise prevent the confession from resolving every question. Its significance lies in that tension: the crown seeks to quiet prophetic dissent by turning it into a spectacle of submission, yet the spectacle cannot fully settle who shaped the movement or what its adherents believed.