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The House On Meng Strasse

Buddenbrooks

This thread follows the family home from its acquisition as a sign of prosperity to a refuge for Tony and its sale to a rival family.

increasingupBearing stren­gth in each eventdowndecreasing
A New Patrician HomeA New Patrician Home from "Buddenbrooks". A New Patrician Home Purchase and celebration The Buddenbrooks celebrate their move into a spacious historic home on Meng Strasse.
A New Patrician Home Purchase and celebration The Buddenbrooks celebrate their move into a spacious historic home on Meng Strasse. A house of contradictions Its grandeur reflects commercial success, while Gotthold’s claim exposes conflict over ownership and inheritance. The building becomes a visible form of family identity.
The House As Family StageThe House As Family Stage from "Buddenbrooks". The House As Family Stage Domestic life on display The rooms host dinners, business discussions, worship, births, and family ceremonies.
The House As Family Stage Domestic life on display The rooms host dinners, business discussions, worship, births, and family ceremonies. Memory takes hold The landscape room and dining room become associated with both celebrations and painful decisions. The home gathers family history into a physical setting.
A Refuge For TonyA Refuge For Tony from "Buddenbrooks". A Refuge For Tony Return after divorce Tony comes home after Grünlich’s bankruptcy, then again after her separation from Permaneder.
A Refuge For Tony Return after divorce Tony comes home after Grünlich’s bankruptcy, then again after her separation from Permaneder. Shelter and belonging The house offers a safe place where she can recover status, raise Erika, and remain close to her family. Its value to her is emotional as well as financial.
An Heirloom SoldAn Heirloom Sold from "Buddenbrooks". An Heirloom Sold Financial reasoning After his mother’s death, Thomas judges the large property costly, underused, and impractical to retain.
An Heirloom Sold Financial reasoning After his mother’s death, Thomas judges the large property costly, underused, and impractical to retain. Tony’s protest She pleads that the house has been her refuge through repeated disasters, but accepts her brother’s decision. Economic necessity overrules inherited attachment.
The Rival Moves InThe Rival Moves In from "Buddenbrooks". The Rival Moves In Hagenström’s purchase Hermann Hagenström buys the house and modernizes its neglected rear buildings.
The Rival Moves In Hagenström’s purchase Hermann Hagenström buys the house and modernizes its neglected rear buildings. A family symbol changes hands His name appears below the old motto, while Tony cannot pass the façade without weeping. The transfer makes the family’s displacement publicly visible.
1835
1835–1855
1850–1871
1871–1872
1872