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“People are starved for plans”

Foucault's Pendulum

Lia’s warning that “People are starved for plans” names the human vulnerability at the center of the invented Plan: people welcome a pattern that explains their frustrations, even when its logic is fabricated. In the novel, the researchers’ game of connecting clues first becomes habitual and then persuasive, until the people who believe in the Plan treat it as real and begin searching for its map.

The consolation of a design

Lia delivers the warning while scolding Casaubon for the malicious game he and his colleagues have played. People, she says, will seize on an offered Plan “like a pack of wolves.” Her point is not simply that people enjoy mysteries. A Plan supplies a satisfying explanation for defeat: if events follow a cosmic design, failure need not be anyone’s fault. One may be defeated, but understand oneself as a martyr rather than a coward.

The need is social as well as personal. Casaubon observes that people blame an external enemy for their failures, while dictatorships use such enemies to bind followers together. He sketches the logic as a secret society whose supposed plot is to spread the rumor that a universal plot exists. The imagined conspiracy thus explains not only particular setbacks but the very sense that events must have a hidden author.

From ironic play to belief

The Plan begins as deliberate fabrication, assembled from materials the researchers did not invent. They connect fragments through analogies and resemblances, initially recognizing that their leaps are unwarranted and treating the exercise as a parody of their Diabolicals’ reasoning. But repeated work changes the researchers themselves. During the long intervals between their meetings, they grow accustomed to connecting everything with everything else; Casaubon concludes that pretending to believe can become indistinguishable from believing.

The change is not identical for all three. Casaubon sees himself as less affected, partly because daily life with Lia and the baby keeps him in contact with a world outside the game. He describes himself as becoming addicted, while Diotallevi is corrupted and Belbo converted. Their different trajectories share a loss: the ability to distinguish resemblance from identity, metaphor from reality. The phrase about people’s hunger for plans therefore describes a process the inventors themselves undergo, not merely a weakness they exploit in others.

The fiction made operative

The Plan’s audience does more than accept it. Its adherents fit pieces of their existing mythology into the researchers’ invented design, treating separate fragments as moments in one coherent web. They become convinced that they have belonged to the Plan for ages. The invention gains a life beyond its makers because belief supplies the continuity and purpose the fragments lacked.

Casaubon states the consequence plainly: if a plan is invented and others carry it out, it exists in practice. The researchers offered a map to people already struggling with private frustration; those people then organize their beliefs and actions around it. The warning from Lia thus becomes a causal principle of the plot: the demand for a plan helps produce the reality that the plan claims merely to explain.

The secret that must remain

The appetite for a Plan also depends on the promise of a secret that would relieve frustration or bring salvation. Yet the novel’s account of secrecy turns against the expectation of a final answer. Once revealed, a secret seems small; the supposedly ultimate secret keeps receding into further interpretations. Its power lies in remaining out of reach.

This mechanism becomes concrete in the confrontation before the Pendulum. Belbo claims to possess a secret, and the others’ determination to extract it makes them believe it must be more valuable the longer he refuses to disclose it. Their search for that secret has held them together through conflict, while its revelation threatens to end both the mystery and the community built around it. The Plan’s lure is therefore not just that it offers an explanation. It promises a hidden answer while preserving the desire for an answer that can never be exhausted.