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The House’s Forgotten Inhabitants

Piranesi

This flow traces the evidence of earlier inhabitants and the way Piranesi’s care gives their otherwise unknown lives a place in the present.

increasingupBearing stren­gth in each eventdowndecreasing
The Biscuit-Box ManThe Biscuit-Box Man from "Piranesi". Bones in a Niche An arranged skeleton Piranesi discovers bones tied together with seaweed twine and small bones stored in a biscuit box.
Bones in a Niche An arranged skeleton Piranesi discovers bones tied together with seaweed twine and small bones stored in a biscuit box. When the bindings decay, he repairs them with fish leather. A person, not an object The careful arrangement becomes a sign of someone’s past life. Piranesi maintains it as a form of respect, even though he cannot identify the person.
The Older Fish-Leather ManThe Older Fish-Leather Man from "Piranesi". Traces of an Earlier Burial Worn remains One skeleton is incomplete, its bones worn by water and marked by small holes and fish-leather fragments.
Traces of an Earlier Burial Worn remains One skeleton is incomplete, its bones worn by water and marked by small holes and fish-leather fragments. Piranesi infers that it was once displayed differently. A community of the dead He imagines later people patiently gathering the remains and placing them with their own. The arrangement suggests that care has passed through generations of inhabitants.
The Folded-Up ChildThe Folded-Up Child from "Piranesi". A Child on the Plinth A small and solemn figure Piranesi finds the child’s skeleton curled around its knees, wearing a necklace of coral and fishbones.
A Child on the Plinth A small and solemn figure Piranesi finds the child’s skeleton curled around its knees, wearing a necklace of coral and fishbones. He wonders how she belonged in a world with so few living people. An imagined relationship He believes the House may have intended her as his wife and begins bringing offerings. The thought gives shape to his hope of sharing what the House provides.
Thirteen Dead EvacuatedThirteen Dead Evacuated from "Piranesi". Moving the Remains A dangerous task Piranesi carries several groups of bones into the Upper Halls, wrapping them carefully so that fragments are not lost.
Moving the Remains A dangerous task Piranesi carries several groups of bones into the Upper Halls, wrapping them carefully so that fragments are not lost. He organizes the move around the nearest staircases and safe plinths. Care under pressure The work consumes days before the flood, but Piranesi refuses to treat the dead as expendable. Their safety is part of his responsibility for the House.
Names Still UnknownNames Still Unknown from "Piranesi". Questions Without Answers Possible identities Raphael asks whether the dead include Stanley Ovenden, Sylvia D’Agostino, and Maurizio Giussani.
Questions Without Answers Possible identities Raphael asks whether the dead include Stanley Ovenden, Sylvia D’Agostino, and Maurizio Giussani. Piranesi cannot tell which bones belong to whom. Humanity amid uncertainty Their identities remain incomplete, but their lives matter to both visitors. The dead become a link between Piranesi’s House and the outside history that produced it.
During Piranesi’s early explorations
During Piranesi’s examination of the People of the Alcove
During Piranesi’s visits to the Sixth South-Eastern Hall
During the three days before the Great Flood
After the flood and Raphael’s arrival