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Reunion

Overview

Fred Uhlman’s Reunion is a short novel, often described as an autobiographical novel, written originally in English. Set in Stuttgart during the rise of Nazism, it recounts a friendship formed in the early 1930s and recalled decades later. Uhlman wrote the novella in 1960; it was first published in Britain in 1971. Its original edition was modest in size, but the work’s emotional and moral scope is much larger than its length suggests. Rather than survey political events broadly, it shows how an increasingly intolerant society enters the intimate world of two schoolboys.

Story

The narrator, Hans Schwarz, is the son of a Jewish doctor and belongs to an assimilated, middle-class family. At school in Stuttgart he meets Konradin von Hohenfels, a new pupil from a prominent aristocratic family. Their backgrounds are sharply different, and each boy is conscious of the other’s social position. Shared interests, including the poetry of Friedrich Hölderlin and ancient Greek coins, help draw them together. Their friendship becomes the defining bond of Hans’s adolescence: a private world of admiration, rivalry, trust, and the hope that people from very different backgrounds can understand one another.

That hope is tested as antisemitism becomes more openly accepted and Nazism reshapes public life. Hans’s Jewish identity, once only one part of who he is, becomes a reason for exclusion and danger. Konradin, meanwhile, is subject to the expectations and political loyalties surrounding his aristocratic family. The boys have a painful argument over the forces dividing them. Although they promise to remain friends, their relationship breaks down, and they never achieve a genuine reconciliation before Hans leaves Germany. His parents send him alone to the United States for safety. As an adult, he becomes a successful lawyer, but he tries to forget the war, his German past, and the losses bound up with them. About thirty years later, a communication from his former school includes a list of pupils killed during the Second World War. Hans learns that Konradin was executed for his involvement in an attempt to oppose Hitler. The revelation brings his friend back into his thoughts, but the reunion is necessarily retrospective: knowledge arrives after the possibility of reconciliation has vanished.

Themes and legacy

The novella explores friendship across religious and class divisions, the conversion of prejudice into social custom, and the moral pressures people face within families and political communities. Hans’s experience shows how an identity can be imposed as a boundary by others; Konradin’s situation raises questions about choice and responsibility under the influence of family tradition and authoritarian politics. The school’s list also makes memory central to the book. It turns a public record of wartime deaths into a personal encounter with the past, forcing Hans to reconsider both his friendship and his relationship to Germany. The title therefore points not to a conventional happy reunion, but to a painful recovery of connection through remembrance.

Uhlman’s own flight from Nazi Germany gives the story’s historical setting particular resonance, although the novella is a shaped work of fiction rather than a complete record of the author’s life. Its restrained retrospective voice, compact form, and understated treatment of catastrophe are essential to its effect: immense political violence is measured through the fate of a small number of people and the memories one survivor has tried to suppress. The first edition attracted little notice, but the book gradually found a wider readership and is now regarded as a durable work about friendship, persecution, and historical responsibility. It has appeared in many editions and translations. In 1989, Harold Pinter wrote a screenplay adaptation, and the resulting film competed for the Palme d’Or at the Cannes Film Festival, extending the story’s reach beyond the page.

About the Author

Fred Uhlman

Early life and education

Fred Uhlman was born Manfred Uhlman on 19 January 1901 in Stuttgart, Germany, into a prosperous middle-class Jewish family. The eldest child of a textile merchant, he studied law at the universities of Freiburg, Munich, and Tübingen. He graduated from the University of Tübingen in 1923 with a doctorate in canon and civil law. Uhlman worked as a lawyer in Germany and became involved in political life. He joined the Social Democratic Party in 1927 and served as its official legal representative in 1932. His legal training and political activity formed part of the experience against which his later accounts of Germany and its upheaval can be understood.

Exile and art

In March 1933, after receiving warning that he might be arrested because of his political affiliations, Uhlman fled to Paris. As a foreigner, he could not readily continue his legal career there. Encouraged by relatives and people in the émigré art community, he turned to painting and developed as a largely self-taught artist. He began exhibiting in the mid-1930s and later gained recognition as a painter; his works entered the collections of museums and galleries. Around 1936 he moved to England, where he made his life with his wife, Diana Croft. Their London home became a meeting place and source of support for émigrés and artists displaced by the political crisis in Europe. Accounts of his life describe him as helping shelter intellectuals and artists who had been forced to leave their homes.

Uhlman’s connection to Germany remained intensely personal. His parents later perished at the Theresienstadt concentration camp. Their fate belongs to the wider history of the persecution of European Jews, but it also illuminates the themes of separation, loss, and memory that recur in discussions of his fiction. Uhlman lived between German origins and a new life in Britain, bringing the experience of exile to a literary work concerned with the consequences of political identity and historical rupture.

Writing and reputation

Uhlman produced relatively few literary works, and Reunion became his best-known book. Written in English around 1960 and first published in 1971, it is a short, autobiographically inflected novel about two boys whose friendship is broken apart by the rise of Nazism and antisemitism. The first edition received little attention, but the book gradually reached a much larger readership through later editions and translations. It is now widely regarded as a compact, enduring work about friendship, persecution, memory, and responsibility. Arthur Koestler praised it as a “small masterpiece.” In 1989, Harold Pinter wrote the screenplay for a film adaptation, which competed for the Palme d’Or at the Cannes Film Festival.

Uhlman died in London on 11 April 1985, aged 84. His lasting reputation rests on two connected careers: that of a painter shaped by exile and that of a writer whose best-known work distilled a vast historical tragedy into an intimate story. Reunion continues to be read because its restrained form does not diminish the scale of its subject. Instead, it shows how persecution enters private relationships, how people reckon with the actions and loyalties of their communities, and how a survivor may encounter the past again through a belated piece of news. The book gives Uhlman a distinctive place among writers who transformed the experience of displacement into literature, while his art and his support for fellow émigrés remain important parts of his legacy.

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