1825–1840
BarkskinsThe period 1825–1840 is marked by the heading “stupendous conflagration,” but its fires belong to a wider history of transformation: forests are treated as seemingly inexhaustible wealth, while the work of converting them into tradeable timber exposes both ecological loss and human risk. The novel brings together commercial ambition, changing landscapes, and the labor that links distant forests to markets.
Timber as a Long-Term Commercial Vision
The forest becomes the resource that Charles Duquet believes can escape the instability of fur trading. Beaver pelts could accumulate in surplus or vanish through overtrapping, disease, or changing markets; timber, by contrast, seemed to him an everlasting commodity that Europe lacked. Remembering that English colonists supplied pine for naval masts, he imagines timber serving ships, houses, and heating, with profits that might endure and a fortune his sons could inherit. His plan is to continue earning from furs while preparing to move into wood. The confidence behind the scheme rests on a central misreading: the forest appears vast and self-replacing, so its commercial value seems permanent.
That ambition is not confined to New France. In India, Captain Verdwijnen trades ceramics and silks for food and spices and takes on Patna opium for the Amsterdam market. Duquet, whose attention returns to forests, considers whether a three-cornered route could serve a lumber merchant. The exchange shows him thinking about timber not only as a local product but as part of a wider trading network, even as the same voyage introduces the competing possibilities of the opium trade.
Landscapes Under Pressure
The timber economy takes shape within landscapes already altered by settlement and other forms of extraction. In the Mi’kmaw country, Sosep points out French families along the shore and describes land that once supplied generations with berries and edible roots. Much of it has been plowed for maize and turnips; salt marshes have been drained to make hay for livestock. Moose, caribou, and bear have retreated, and beaver numbers have fallen as pelts are exchanged for guns and metal pots. A beaver skin once placed on a grave has become, in the account, a form of white-man money. The changes register not as a single rupture but as the cumulative remaking of land, foodways, and exchange.
The later New Zealand scenes sharpen this pattern. Shore stations combine logging camps and trading posts, dealing in flax, spars, and lumber, while associated warehouses, sawmills, and small shipyards draw Europeans to the coast. Enterprises take the most valuable timber and shift their camps onward, leaving stumps and waste. K a h i k a t e a is cut first, then kauri; in places, fallen timber carpets the ground for days of travel before being burned to clear the land. The forest is reduced to what can be sold, and the destruction of plants, animals, and other forest life is treated as an expedient cost of opening the country.
The Work and Risks of Extraction
The logging camp is portrayed as a workplace organized around exhausting repetition. Men rise before daylight, eat salt pork and tea, carry sharpened axes to the cut, and return in darkness to crowded shelter and simple food. The camp’s cold, inadequate sleeping arrangements, and relentless schedule frame logging as dangerous labor rather than romantic adventure. After the spring drive, many workers spend their wages in nearby towns and wait for another contractor to hire them. The trade draws men with few alternatives and little security, while its demand for speed rewards those able to survive its risks.
River driving makes the unequal distribution of danger especially clear. A boss explains that water is essential to moving logs and powering mills, so the cost of driving must be accepted if the company wants its timber delivered. The work is assigned to Indigenous laborers: two Mi’kmaq and a Montagnais are seen guiding logs through the river. Earlier, another account of camp practice makes the reason for this assignment explicit: river work is considered so dangerous that bosses give it to Indians. The scenes connect the commercial necessity of moving timber with the way the most hazardous work is allocated.
Across generations, the Sel family witnesses a succession of tools and transport systems. The poll ax gives way to the double-bitted ax, then the crosscut saw; up-and-down gang saws are replaced by circular saws and double circulars, and eventually by long band saws. Oxen give way to horses, then to donkey engines and Shay-geared locomotives. As roads penetrate forests farther from waterways, trucks and roads replace river drives. The transition brings new machinery and greater reach, but not a corresponding escape from danger: loggers must work among powerful equipment, and the novel describes a profession in which a man’s survival depends on vigilance and luck.
Markets, Scale, and the Forest’s Future
The commercial horizon widens when Duke & Breitsprecher sends its first shipload of best pine to Sydney, Australia. Lawyer Flense meets a buyer who seeks a decade-long supply contract and is also interested in kauri, asking for a logging partner to establish efficient camps in New Zealand. The conversation carries the novel’s earlier timber vision into an international market: forests separated by oceans are drawn into a single business search for dependable supplies, and the language of efficiency accompanies the expansion.
Against that expansion, the period’s scenes place the belief in endless supply beside the visible consequences of taking timber at industrial scale. Roads and machinery extend extraction beyond rivers; commercial ventures move on when a forest has been stripped of its most valuable trees; the remaining material may be burned rather than preserved. The time frame therefore gathers more than a series of business developments. It shows how a seemingly permanent resource becomes a chain of connected operations—land clearing, cutting, river transport, milling, and overseas sale—while ecological damage and the gravest labor risks fall on places and people with less power to determine the terms.