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the war with the south

Barkskins

The period of the American Civil War appears within a much longer history of timber extraction: a moment when booming demand makes forests seem limitless, even as the work of cutting and moving wood remains dangerous and unevenly assigned. Through the expansion of Duke Logging and the lives of logging workers, the novel links commercial prosperity to forest destruction, industrial change, and the costs borne by those doing the labor.

Business and Timber Markets

During the war, lumber demand is driven by settlement and construction across the Mississippi and Missouri valleys. Immigrants moving onto the prairies need houses, barns, silos, stables, furniture, shingles, and fencing; railroads carry lumber west and bring livestock back to Chicago. Even the repeated destruction of settlements by fire appears to promise renewed sales, because trees are assumed to be plentiful. The language of endless supply makes commercial expansion seem self-justifying, while concealing the limits of the resource on which it depends.

The period’s corporate organization reflects that expansion. Duke Logging’s board includes Lawyer Flense, accountant Mr. Pye, newspaper owner David Neale, office manager Annag Duncan, logging and sawmill supervisor Noah Ludlum, transport manager Glafford Jones, and major shareholders Theodore Jinks and Axel Cowes. Jinks and Cowes build mansions beside Lavinia’s property, and the three share a thirty-acre wooded park along the lake. Lavinia’s evening walks through its paths place the company’s wealth beside a small, managed remnant of woodland: a landscape of private grounds distinct from the working forests on which the business depends.

From Forest to Global Trade

The timber economy extends beyond the domestic market. Earlier, Charles Duquet had concluded that furs were too vulnerable to fluctuations in animal populations and demand to support permanent wealth. He imagined forest products as a more dependable commodity, believing that the vast forests could supply ships, houses, and fuel indefinitely. That assumption helps establish the commercial logic later visible in large-scale logging: a forest is treated as an enduring stock of goods rather than a living landscape with limits.

The novel also traces how overseas trade carries that logic into new territories. In India, Captain Verdwijnen exchanges ceramics and silks for food and spices and acquires opium for trade in Amsterdam; Duquet considers whether a three-cornered route could serve a lumber merchant. Much later, Duke and Breitsprecher send their first shipload of pine to Sydney, Australia, and Lawyer Flense discusses a decade-long supply contract with Harry Blustt, who is also seeking a partner for New Zealand timber. These episodes connect local forests to distant buyers and show how commercial networks make new timber sources part of an expanding market.

In New Zealand, the consequences are described in stark contrast to the language of opportunity. Logging camps, trading posts, warehouses, sawmills, and small shipyards spread along suitable harbors. Enterprises take the most valuable coastal timber and move on, leaving stumps and deep accumulations of waste. Felling first targets kahikatea and then kauri; fallen timber is burned as a quick means of clearing land, along with the forest’s plants and animals. The newcomers’ narrow attention to profitable goods turns the forest into an assumed resource for their use, while ecological damage remains where the timber was taken.

Labor, Risk, and Technology

The extraction economy depends on arduous, hazardous work. In one camp, loggers rise before daylight, eat salt pork and drink tea, carry their axes to the cut, and return near dark to crowded quarters with little bedding. The daily routine and poor shelter stand in sharp contrast to the distant commercial markets that profit from the wood. Seasonal workers often spend their wages in town after the spring drive and wait for another contractor to hire them; a smaller number work through the year, cutting in winter, driving logs in spring, and sawing in summer.

River driving is especially dangerous, yet employers assign water work to Indigenous workers. The novel records the blunt justification that Mi’kmaq and other Indigenous loggers drown just as white workers do, reducing a discriminatory allocation of risk to a claim of equivalence. A camp boss later defends the expenses of river work by pointing out that water moves the logs and powers the mills; without the drive, the timber cannot reach the sawmill. The scene makes the river both an essential part of the production chain and a workplace where Indigenous laborers face disproportionate danger.

Across three generations, the Sel family witnesses transformations in logging equipment and transport. The poll ax gives way to the double-bitted ax, then to the crosscut saw; gang saws are displaced by circular saws and increasingly long band saws. Oxen give way to horses, then to donkey engines and Shay-geared locomotives. When roads penetrate forests away from waterways, trucks and roads replace the river drives. These changes increase the scale and reach of extraction, but they do not make the work safe: the family’s trade remains marked by accidents and deaths, and the novel connects mechanization to the leveling of the continent’s remaining ancient forests.

Historical and Ecological Significance

The period’s prosperity is part of a broader pattern in which commercial demand, settlement, transport, and technology reinforce one another. Timber moves from forests to rivers, mills, railways, and overseas ports; at each stage, business treats access and supply as problems to solve, while the costs accumulate in the places being logged and among the workers doing the most dangerous tasks. The contrast between the company’s organized board and the exposed labor of the camps reveals how unevenly the gains and risks are distributed.

By placing the Civil War-era boom alongside earlier plans for supposedly permanent forest wealth and later accounts of exhausted landscapes, the novel makes the period a link in a long chain of extraction rather than an isolated episode. Forest abundance is not simply a setting or a market advantage: it is a belief that licenses continued expansion. The eventual clearing, waste, and destruction described across the novel expose the gap between that belief and the finite, interdependent world it overlooks.