Ava Spirini and Tina
BeautifulAva Spirini and Tina’s relationship changes after Kelly’s death, but it does not begin as a distant one: before the loss, Tina was so close to Ava that Ava regarded her as almost a second mother. In the months afterward, that intimacy becomes difficult to sustain. Ava believes Tina cannot bear to be around her because she is a reminder of Kelly, and she visits the family home only when Tina is absent. Their most important later encounter comes when Tina finds Ava beside a grieving Lincoln and joins them. Without resolving the distance between them in a conversation, the scene shows their shared loss briefly making recognition possible.
Closeness Before the Loss
Before Kelly died, Ava and Tina got along well. Ava describes Tina as practically her mother, placing their bond within the everyday closeness of Kelly’s family rather than treating Tina as merely the parent of her best friend. The family home was familiar to Ava: she knew where things were kept and how to move through it quietly. That comfort survived the death, even as entering the house became complicated.
Kelly’s death altered the household and Ava’s place within it. The relationship between Ava and Tina was already shaped by their shared attachment to Kelly, but grief made that connection painful as well as intimate. Ava misses not only Kelly, but also the former ease of being with her family. The loss therefore unsettles a wider bond: the home and the people in it remain important to Ava, while the person who made her feel at home is gone.
Grief and Growing Distance
Ava experiences Tina as increasingly angry after Kelly’s death. Ava’s father suggests that seeing Ava may remind Tina of Kelly, and Ava accepts this as a possible explanation, though she cannot know for certain what Tina feels. She understands that the reminder might be painful, but her own longing for Kelly and for their old closeness remains. Sympathy for Tina does not make Ava’s absence from that family any easier.
As a result, Ava limits her visits to times when Tina is not home. She fears that Tina would react badly if she found Ava there, and especially if she discovered Ava’s involvement with Lincoln. This is Ava’s expectation, not evidence of Tina’s response: the two do not discuss the secret, and Tina’s actual view of it is not established in these scenes. Ava’s decision to stay away reflects both concern about upsetting Tina and her own uncertainty about what place she is allowed to occupy in the household now.
Yet the home continues to offer Ava a sense of familiarity. She knows its kitchen and its creaking floorboards, and being there makes her feel less unmoored even while she recognizes that the family’s circumstances are chaotic. That contrast captures the strain in the relationship: Ava remains attached to Tina’s household, but accesses that attachment by avoiding Tina. Her retreat is not indifference; it is a way of keeping close to a place that is also charged with grief.
The Funeral and a Shared Bereavement
At Kelly’s funeral, Ava witnesses the depth of Tina’s loss directly. Kelly’s family holds a traditional Maori funeral at home as far as circumstances allow, with a marae arranged in the lounge room and Kelly’s open coffin present for two days before the service. Ava sleeps in the room with the family on the second night, though she cannot sleep. Her place among them is still close, but the gathering also confronts her with the finality of Kelly’s death.
At sunrise on the third day, Kelly’s aunties sing and people pray before the coffin is closed. Tina’s grief at that moment leaves a lasting impression on Ava. Ava is also overwhelmed as the coffin is taken away; her father has to hold her upright. The scene gives Ava a view of Tina’s pain that goes beyond her earlier suspicion that Tina is angry with her. It does not erase their later distance, but it establishes that both are grieving the same person, in different positions and with different losses.
Recognition in Lincoln’s Room
A later encounter makes that shared grief immediate again. Ava is with Lincoln as he breaks down over Kelly, and she holds him while he cries. Tina enters the room without Ava noticing at first. She lifts Ava’s hand from Lincoln’s shoulders and takes his weight herself, then sits with him as he sobs. The movement is practical and tender: Tina joins the work of supporting her son rather than asking Ava to leave or challenging her presence.
While comforting Lincoln, Tina looks directly at Ava. Ava reads recognition in that exchange: she understands that Tina sees her pain, and she believes Tina knows what the loss feels like for her. That moment matters because it reverses the earlier pattern of absence. For a time, Ava is no longer keeping herself out of Tina’s sight; Tina is present with her in the same room, caring for Lincoln while acknowledging Ava’s grief too. The scene does not establish that they have resolved their tensions or resumed their former closeness, but it shows a genuine point of understanding between them.
What Their Bond Holds
The relationship remains shaped by Kelly’s absence rather than returning to the way it was before. Ava’s bond with Tina rests partly on their shared love for Kelly, and that common ground can make closeness both comforting and painful. The family home still feels familiar to Ava, but her fear of upsetting Tina leads her to approach it in secret. Their connection therefore holds an unresolved tension between belonging and self-exclusion.
The scene with Lincoln offers no simple reconciliation. Instead, it gives the relationship a concrete moment of mutual recognition: Tina responds to her son’s grief, and Ava sees that Tina can recognize her own. The distinction is significant. Ava’s earlier belief that Tina could not bear her presence is not conclusively disproved, but the scene complicates it. In the immediate aftermath of loss, care passes between them through presence and action rather than explanation, suggesting that their connection survives even when grief has made ordinary closeness difficult.
