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«Vosotros erais la espada y la pared»

Judas

«Vosotros erais la espada y la pared» (“You were the sword and the wall”) is Gershom Wald’s rebuke to Shmuel Ash when Shmuel describes the Jewish fighters of 1948 as caught between the sword and the wall. By reversing the familiar metaphor, Wald refuses to treat armed resistance as a response forced upon its participants: in his account, they were also agents of the violence that made the supposed alternatives seem impossible.

The exchange

The line occurs in a conversation about Mija Wald’s death and the choices that led him to fight. Gershom has explained that Mija had one kidney, removed when he was nine, and that he falsified his medical certificate and his father’s signature to deceive the recruiting committee. Shmuel tentatively asks whether, in 1948, “we really fought because there was no choice” and whether they were “between the sword and the wall.” Gershom answers with the expression’s decisive inversion: “No. You were not between the sword and the wall. You were the sword and the wall.”

The change from “between” to “were” is the argument. Shmuel’s wording presents the fighters as surrounded by danger, with violence imposed from outside; Gershom makes them part of the danger itself. The metaphor does not deny the surrounding conflict, but it rejects the comforting implication that those who fought were only victims of circumstance.

The history behind the rebuke

Gershom’s account connects Mija’s enlistment to the competing convictions of his father, Shaltiel Abravanel, and Gershom himself. Abravanel opposed the war and urged young people on both sides to lay down their arms. He continued visiting Arab friends even after roadblocks and sniper fire began, and argued for a different political path. Gershom, by contrast, believed the war was a sacred obligation and helped form his son through stories of earlier Jewish defenders and fighters. He recalls that he, Mija’s teachers and peers all contributed to a culture in which answering a call to fight seemed honorable and necessary.

Mija’s enlistment therefore cannot be separated from the choices and language of the adults around him. Although he deceived the committee, Gershom says that the committee was glad to be deceived, and that everyone was deceived—including those who did the deceiving. His image of an entire flock misled makes individual acts part of a wider shared failure, rather than a simple story of one young man’s decision.

Two political accounts of necessity

Shmuel’s question echoes the defense that Jews had no alternative but to fight. Gershom’s answer challenges that account at its premise: the participants, he insists, were not simply pinned against a wall by an enemy’s sword. This dispute also recalls Abravanel’s rejection of the claim that Jewish and Arab young people had to take up arms. Abravanel had sought to present an individual proposal for peace to the United Nations Special Committee on Palestine, but the Jewish Agency rejected his request to speak separately, insisting on a single institutional voice. He ultimately accepted that discipline and did not make his own case before the committee.

The expression thus sets a family argument beside a political one. Abravanel’s dissent had been silenced within the institutions seeking a Jewish state; after Mija’s death, Gershom’s own earlier certainty about sacred war is shadowed by the knowledge that he helped prepare his only son to answer its call. The sentence does not resolve the conflict between self-defense and responsibility. It makes the claim of necessity answerable to the human actions—and the political alternatives—that the claim can conceal.

A sentence shaped by loss

Gershom speaks after recounting that Mija, aged thirty-seven, was sent with a convoy bound for Jerusalem and killed during an attack on the route. His account of the death is inseparable from what he learned later: he discovered details in the diary of one of Mija’s companions, received about a year after Mija died. The expression’s severity belongs to this belated reckoning, not to an abstract debate about military strategy.

Its reversal also gives the exchange its lasting force. “Between the sword and the wall” turns helplessness into a picture of encirclement; “you were the sword and the wall” makes that picture indict its supposed victims as participants. Gershom’s words do not erase the danger in which the fighters acted. They refuse to let danger, patriotism, or the language of inevitability settle the question of what those fighters helped bring about.