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Kishan and Rukhmabai’s Marriage

Shantaram

Kishan and Rukhmabai’s Marriage is an arranged union that begins with Rukhmabai’s fear that she cannot love her betrothed and becomes the foundation of a shared family and household. The first time she sees Kishan, his smile overturns her judgment; over the following years, she manages their growing wealth and raises their children, while later grief over miscarriages unsettles the life they have built together. Their marriage is presented not as a static arrangement but as a bond altered by choice, labor, prosperity, and loss.

An arranged match and an unexpected beginning

Rukhmabai first sees Kishan as a shy sixteen-year-old, peeping from behind a curtain to inspect the man chosen for her. Her father heads the village council, and she can read and write in Hindi and Marathi; Kishan, by contrast, is short, darkened by farm work, rough-handed, coarsely spoken, plainly dressed, and unable to read. She worries that the match places her beneath her own standing and, in that first instant, believes she cannot love him. The marriage is arranged, but the account gives Rukhmabai’s apprehension and judgment their full weight rather than treating the union as an effortless romance.

The decisive change comes when Kishan turns toward the place where she is hiding. Although she is certain he cannot see her, he looks as though he is meeting her eyes and gives her an extraordinarily broad, radiant smile. Rukhmabai smiles back despite herself; its effect is immediate, bringing a sense of well-being and a hopeful conviction that things will work out. She associates the expression with a kind of goodness: she believes a man who smiles so wholeheartedly would not knowingly harm another. When Kishan looks away, the room seems to darken, and she recognizes that she has begun to love him for the reassurance of that smile. She does not oppose her father’s announcement of the match. Within two months of that first glimpse, she and Kishan are married, and she is pregnant with their first son, Prabaker.

A household built through Rukhmabai’s stewardship

The marriage joins two families’ land and resources. Kishan’s father settles two fertile fields on his eldest son when the couple marry, and Rukhmabai’s father adds a third field to their endowment. From the beginning of the union, Rukhmabai takes responsibility for managing their modest wealth. She uses her literacy to keep careful accounts of profits and losses in school exercise books, bundles the records, and stores them in a zinc trunk. These details make her contribution to the household concrete: her authority rests not only on marriage or family status but also on sustained practical work.

She invests judiciously in neighbors’ enterprises and carefully preserves the couple’s resources. By the birth of their third child, when she is twenty-five, their fortune has become the largest in the village. They own five fields, plant cash crops, and keep three milking buffalo, three oxen, two milking goats, and a dozen laying hens. Their bank savings are sufficient to provide substantial dowries for their two daughters, and Rukhmabai plans that the girls will marry well and raise the standing of the next generation. Her stewardship turns the marriage’s initial land endowment into a substantial family enterprise; the household’s prosperity is shown as an achievement in which her skill is central.

Children, separation, and grief

When Prabaker is nine, he is sent to Bombay to apprentice with an uncle who drives a taxi, and he lives in a large inner-city slum. His departure changes the shape of family life at home. Rukhmabai expands her morning prayers around hopes and plans for the family’s future, but then suffers a miscarriage, followed by two more in less than a year. Doctors conclude that her uterus has been scarred after the birth of her third child and recommend a total hysterectomy, which is carried out when she is twenty-six.

The losses are described as a profound rupture in the life Rukhmabai and Kishan have shared. She grieves not only the three pregnancies but also the other possible lives she imagines she has lost. For two years she is inconsolable. Kishan tries to reach her with his familiar smile, but it comes through his own tears and cannot lift her from her sorrow. The contrast with their first meeting is sharp: the smile that once made her feel that everything would be all right no longer has the power to restore her. Her laughter disappears, she tends only minimally to the daughters, and sadness settles over the neglected fields that had embodied the couple’s growing prosperity.

A bond set against the village crisis

The account does not resolve this period of grief through a sudden recovery within the marriage. Instead, a threat to the village eventually draws Rukhmabai back into public life. After armed bandits demand tribute and violence reaches Kishan’s village, a man who was Kishan’s cousin is killed. Rukhmabai knows him well; at the end of his funeral, she addresses the assembled people and urges resistance in defense of their lives and land. Her renewed force is striking after two years of sorrow. This communal turn does not erase the couple’s losses, but it places their family within a wider world of shared land, kinship, and danger.

Significance of the marriage

The marriage’s development rests on a revealing reversal: Rukhmabai initially measures Kishan by differences in education, appearance, and social standing, but comes to love him through a gesture that she reads as evidence of his character. Their later life makes the bond practical as well as emotional. Kishan brings a smile that first changes her expectations; Rukhmabai builds and safeguards the household’s wealth, plans for their children, and carries responsibility through the family’s changing fortunes. When repeated pregnancy loss overwhelms her, Kishan’s affection remains present but cannot simply undo grief. The relationship is therefore defined by more than its hopeful beginning: it also includes the limits of consolation and the continuing force of the life they have made together.