BBC Radio Bristol
BloodhoundsBBC Radio Bristol is the local station through which the Penny Black riddle campaign reaches a broad audience. Its broadcasts transform cryptic messages into public challenges: listeners are asked to decipher the verses, while the station’s role as a recipient and relay for later clues brings the mystery into the region’s daily news cycle.
A Presence in the Diamond Household
BBC Radio Bristol is part of the morning routine at Peter Diamond’s home. When Stephanie Diamond gets downstairs first, she generally switches on the local station; Peter, by contrast, finds Radio Four easier to tolerate when he has to listen to the radio. The contrast places the station within the ordinary domestic setting before its broadcasts become directly relevant to the investigation.
The First Riddle on Air
The station presents the first cryptic verse as a puzzle for its listeners. Its presenter asks the audience to make sense of the message, raising possibilities such as a Valentine message, a code, or a crossword clue before favouring the explanation that it is a riddle. The broadcast says that other radio stations and the local press have also received the same message, framing the challenge as a regional one and urging Radio Bristol’s audience to solve it together. Peter hears the appeal and asks for the verse to be repeated; the presenter reads its opening, beginning with the initials J.M.W.T. and the phrase about being surrounded by security.
The station’s public puzzle soon acquires a criminal context. In a later broadcast, the presenter recalls that the police considered the earlier verse almost certainly connected to the million-pound theft of the Penny Black from the Bath Postal Museum. What had first been offered as a test of the audience’s ingenuity is thereby linked to an active investigation.
The Second Poem and the Station’s Role
After the four o’clock news headlines, BBC Radio Bristol introduces another printed poem as a possible continuation of the earlier clue. The presenter says it arrived in the afternoon post on a sheet of A4 paper, without a covering note, and asks listeners to decide whether it is a hoax or a genuine clue. The station says it will pass the message to the police while also giving its audience the opportunity to hear it first on air.
By broadcasting both the challenge and its apparent sequel, BBC Radio Bristol becomes an intermediary between the unknown sender, the public, and the police. The station does not resolve the riddles in the evidence presented here; instead, it makes their circulation itself part of the story, turning radio listening into a shared exercise in interpretation.


