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Aaron Selle returns to the Mi'kmaq community

Barkskins

Aaron Sel’s return to the Mi’kmaw community is a reckoning with both personal estrangement and the damage inflicted on the people and places he hopes to rejoin. After years away, he reaches a devastated settlement and learns how precarious life has become for its inhabitants; later, welcomed by Kuntaw and reunited with relatives, he finds a way to understand his mixed identity without treating it as a reason to reject his Mi’kmaw belonging.

The Return and Its Uncertainty

Before reaching land, Aaron smells softwood smoke and drying cod mingled with the North Atlantic salt air. The familiar coastal signs accompany a surge of happiness, but his arrival is not a return to an unchanged home. He has come back after years away, and he is uncertain how his relatives will receive him. He no longer expects them to honor him simply because he is Jinot’s son; instead, he is prepared to explain himself and to make a life through practical work, including trapping, fishing, and building weirs.

That changed expectation matters. Aaron had considered a seafaring livelihood, and a shipmate offers him a berth on another voyage to China. Yet he chooses to continue toward his people rather than assume that paid work at sea will settle the question of where he belongs. The return begins, therefore, not with certainty about identity but with a willingness to act without demanding recognition in advance.

A Community Under Pressure

The landscape on Aaron’s route has changed. Land he remembers as forest is now largely cleared for settlements and farms, with woodland burned away. He encounters children who hurl insults and clamshells at him, a direct reminder that returning to Mi’kmaw life also means confronting the hostility directed at Mi’kmaq people. A place where a Mi’kmaw family had once helped him is no longer the refuge he remembers: the old wikuom has collapsed, and its people appear to have moved on.

At a nearby village, Aaron finds shabby dwellings, bare ground, and almost no sign of life. He discovers sick and severely weakened people in a wikuom, including an infant lying still, and sees a comatose man in another. Louis and Sarah Paul, among the few residents able to speak with him, explain the underlying crisis: illness and hunger have taken lives, gardens have failed, and people have repeatedly been driven from places where they tried to settle. Settlers claim the firewood and force Mi’kmaq people onward. The account gives Aaron a reason to fear that the same conditions may have reached his family in K’taqmkuk.

Aaron initially reaches for his wages, but recognizes that Louis and Sarah are too weak to go and buy provisions. Rather than leave them money they may not be able to use, he promises to return with food and sets off to find it. His response marks a shift from the detached, self-protective state he associates with himself since Amboise’s death: the plight before him rekindles his capacity to care, and he turns that feeling into a concrete promise of assistance.

Reunion, Grief, and Changed Belonging

Aaron eventually learns that his father, Jinot, died after a sickness in his injured leg, and that Albert Bone is also dead. The news does not surprise him, because Jinot had been gone for so many years, but it still brings grief. Aaron describes himself as changed while acknowledging that he cannot simply erase who he had been. Peter Sel answers that a person can improve, leaving the two men to share a quiet moment as their boat travels east.

When Aaron reaches Kuntaw’s wikuom, Kuntaw wakes, listens, and embraces him as a Mi’kmaw son returned home. He calls for the family and asks that food be prepared; the following day, Maudi builds a fire by the river, and relatives and other community members gather with mackerel for a feast. Etienne embraces Aaron as well. The welcome is not conditional on Aaron first giving a full account of his change: when Aaron tries to explain himself, Kuntaw waves the explanation away, recognizing the difficulty from his own experience.

The Bowl as an Explanation of Identity

To explain that experience, Kuntaw fills a wooden bowl with water, adds mackerel oil, and stirs the mixture until it becomes frothy. The oil rises above the water. He uses the separation to describe the relationship between Mi’kmaw and white identities: trying to become white did not erase the Mi’kmaw part of him, and he tells Aaron that the same part has risen in him, too. The image makes belonging something carried within a person, not a status that can be conferred or cancelled by others.

Kuntaw’s hope reaches beyond the two men. He imagines a future in which Mi’kmaw people regain their country, though changed through contact with white people, and in which each community has also been changed by the other. The bowl does not promise a return to an untouched past. Instead, the oil and water make the possibility of mutual transformation legible while preserving Kuntaw’s insistence that Mi’kmaw identity endures.

Significance of the Homecoming

Aaron’s return brings together two kinds of recognition: the immediate welcome of kin and the harder recognition of the dispossession affecting Mi’kmaw communities. The destroyed or abandoned dwellings, failed gardens, hunger, illness, and settler violence show that his people’s hardship is not an abstract backdrop to his private search. It shapes the conditions under which a homecoming can take place and makes his decision to help Louis and Sarah part of the return itself.

The episode’s emotional movement is from anticipated reunion to alarm and grief, then to welcome and a more capacious sense of self. Aaron returns not as someone asking to be valued solely through his father, but as a person willing to contribute and to accept his own changed history. Kuntaw’s bowl gives that movement a lasting form: mixture need not mean erasure, and return need not mean restoration of everything that has been lost.