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“Now is there civil war within the soul”

Middlemarch

“Now is there civil war within the soul” frames Tertius Lydgate’s temptation to gamble as an uprising within the self: resolve loses its throne, while need and pride bargain with the rebels. The image is sharpened by the scene that follows, in which Lydgate’s reason checks his appetite for risk without erasing the wish that luck might rescue him from an alternative he finds increasingly inevitable.

The Verse and Its Political Imagery

The passage opens with civil war, not a settled contest between equal impulses. Resolve is thrust from its “sacred throne,” and Pride, formerly associated with authority, becomes a “grand-vizier” who makes a “humble compact” and serves as envoy and apologist for “hungry rebels.” The language gives inward conflict a political structure: a deposed ruler, a compromised minister, and insurgent appetites demanding satisfaction.

That structure matters because the verse does not present temptation as a simple victory of desire over judgment. Pride adapts itself, playing a supple part on behalf of need. The inner contest therefore includes not only hunger but the capacity to excuse it. The image of a deft-tongued apologist anticipates the mental bargaining that surrounds Lydgate’s conduct, even as the narrative makes clear that his reason can still recognize its danger.

Lydgate’s Wager and Its Cost

The verse is followed by Lydgate’s experience in the billiard-room, where he has lost and receives no encouragement to gamble further. The next day he feels unmixed disgust when he must pay four or five pounds over and above his gains. What troubles him is not merely the money: he also carries an unpleasant image of himself rubbing elbows with the men at the Green Dragon and behaving just as they do.

The contrast between the philosopher and the Philistine makes his self-reproach pointed. In the act of betting, the difference between them is difficult to see; it appears chiefly in what follows, in the reflections each carries away. Lydgate’s later disgust marks his capacity to judge the episode, but it does not make him innocent of the impulse that drew him into it. The scene gives the poem’s civil war a concrete consequence: reason returns with the bill, after appetite has already shaped his conduct.

The Risk He Sees—and the Alternative He Fears

Lydgate recognizes that the affair might have been magnified into ruin by only a slight change of setting. A gambling-house, where chance could be seized with both hands rather than picked up “with thumb and fore-finger,” would have offered a more intense form of the same temptation. The distinction is one of scale and opportunity, not of a wholly different desire: the modest wager already reveals how near a more dangerous escalation could seem.

Reason succeeds in strangling the desire to gamble, but the passage carefully stops short of portraying a complete inward victory. Lydgate still feels that, if he had been assured of luck to the necessary amount, he would have liked to gamble rather than accept the alternative beginning to seem inevitable. The conditional fantasy exposes the bargain beneath self-control: he can refuse the wager as it actually presents itself, yet still wishes for a version of it that would solve his need without its risk.

Meaning in the Scene

The verse’s political metaphor illuminates the difference between restraint and peace. Resolve may recover its authority, but the rebels’ demands have not vanished; Lydgate’s disgust is followed by an admission that the desire would survive if luck could be guaranteed. The passage thus makes moral awareness consequential without treating it as a cure. Reflection distinguishes Lydgate from the unreflective bettor, but does not free him from the pressure that made gambling attractive.

The phrase “Now is there civil war within the soul” consequently serves as more than a general maxim about temptation. Its figures find close counterparts in Lydgate’s particular predicament: a strained will, a need that seeks satisfaction, and reason confronting the danger of an easier but potentially ruinous course. The scene’s final tension lies in that unresolved wish. Lydgate can see the peril and recoil from his own behavior, while still longing for chance to deliver him from the alternative he fears.