Dorida tends Don Félix’s wounds
DianaDorida tends Don Félix’s wounds at the crisis point of Felismena’s long-unanswered devotion: her intervention restores him physically and removes the love that had turned his affection toward Celia, allowing him to recognize what he owes Felismena and seek reconciliation. The scene makes Dorida’s aid a decisive turning point, carried out through two vessels of enchanted water.
The Crisis and Dorida’s Arrival
Don Félix collapses at Felismena’s feet after she recounts the sacrifices she made for him: leaving her homeland, serving him in the guise of a page, and continuing to love him even when he loved Celia. His faint comes as he is losing blood from wounds inflicted by three knights; remorse at Felismena’s words compounds his physical weakness. Felismena holds his head in her lap and fears that his death will end the happiness of seeing him again. Portuguese shepherdesses join her lament.
Dorida then appears on the stones leading to the island, carrying a gold vessel and a silver one. Felismena recognizes her and appeals to her for help. Dorida answers that this is a moment for courage and declares that Felismena’s suffering is reaching its end. Her timely arrival interrupts a scene poised between reunion and loss: Don Félix is present, but unable to respond, and Felismena’s hope has become fear for his life.
The Two Vessels and Their Effects
Dorida first uses fragrant water from the silver vessel, sprinkling it over Don Félix’s face until he returns to consciousness. She then gives him water from the gold vessel to drink. After resting, he finds himself healed both of the wounds made by the three knights and of the pain associated with his love for Celia. The account presents the remedies as distinct but complementary: the silver vessel brings him back to awareness, while the gold vessel’s water restores his health and alters his emotional state.
The change reaches beyond bodily recovery. Don Félix’s love for Felismena is renewed so fully that he says it has never seemed more alive. He takes her hands and kisses them, acknowledging that she has saved his life and that he owes it to her. Dorida’s intervention therefore does not merely make further conversation possible; it changes the conditions under which that conversation can happen, releasing Don Félix from the attachment that had obstructed his recognition of Felismena.
Reconciliation and Narrative Role
Awake and restored, Don Félix admits that he loved Celia and forgot Felismena, while also naming beauty, changing times, and absence as inadequate excuses. He recognizes that Felismena has ample reason not to forgive him and that his past treatment of her will continue to trouble him. Felismena nevertheless forgives him, explaining that her enduring love and the hardships she accepted for his sake make forgiveness possible. Dorida’s healing thus leads directly into a reconciliation grounded not in Don Félix’s recovery alone, but in his recognition of the wrong he has done and Felismena’s decision to pardon him.
The scene joins supernatural intervention to the emotional resolution of a prolonged love conflict. Don Félix’s wounds and faint threaten to make Felismena’s reunion with him final in the most literal sense; Dorida’s waters reverse that immediate danger and also undo the lovesickness that separated his present attachment from his earlier bond. By arriving with remedies that address body and affection together, Dorida enables the reunion to become a mutual recognition rather than a one-sided vigil at a sickbed.