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Sanada Chiaki and her father

Piercing

Sanada Chiaki and her father are bound by a childhood history of sexual abuse that he concealed behind the image of a respectable family man. He instructed her to keep his conduct secret, and when she eventually disclosed it, he denied her account and responded with anger. The relationship’s defining contradiction is that his public respectability and occasional expressions of concern coexist with the harm she remembers and the lasting force of his demands for silence.

Public respectability and private abuse

Sanada Chiaki remembers her father as a man whose appearance and routines projected cleanliness and propriety. He wore a freshly laundered white shirt, kept his trousers sharply creased, and carried a white handkerchief. He described these things as making him feel inwardly pure, a self-image that clashes with the private conduct Chiaki associates with him. The contrast is not incidental: the outward signs of respectability become part of the way she recalls a man who behaved abusively at home.

The abuse began when Chiaki was in elementary school, according to the account she later wants to share. Her father used expressions of affection to present his conduct as something she should accept, while also telling her not to tell anyone, including her mother. He warned that disclosure could result in her being taken away from her parents. The secrecy thus became part of the relationship itself: he was not only the person who abused her, but the person who defined the abuse as a private matter and made silence seem tied to preserving her family.

Disclosure and the change at home

Chiaki eventually told a friend about what had happened and then told her mother. Her mother spoke to her father. He stood listening in the same carefully maintained white clothing that defines his remembered public image, but then accused Chiaki of making up a disgusting lie and began yelling at her. She recalls this as the first time she had heard him raise his voice, while also describing it as the beginning of a change: afterward, he became someone who yelled over minor matters. The disclosure brought the secret into the open, but it did not lead to an acknowledgment from him; instead, his denial and anger altered the atmosphere of the family.

Years later, Chiaki can describe the difference between the father others believed they knew and the father she experienced. She recalls him as a respected head accountant at the largest company in their hometown, with work and feeding the family’s goldfish among the few parts of his public life she mentions. That conventional image helps explain the isolation built into her account: his standing and respectable manner could coexist with conduct she had been told to conceal. Her later insistence that the abuse really happened answers his earlier denial without suggesting that the family conflict was resolved.

Memory, identity, and the return of the past

The relationship returns in the narrative through a crisis in which Chiaki is disoriented and cannot confidently locate herself or her surroundings. Her father’s remembered face appears in her mind, and the name he repeatedly used for her becomes a point of recognition: she can identify herself as Chiaki even while experiencing her identity as empty or uncertain. In that state, the memory of him is entangled with a belief that she deserves punishment. This is presented as her distressed inner experience, not as a reliable judgment about her worth or responsibility.

Chiaki distinguishes the person she hopes will take her to hospital from her father. She believes that the man she is looking for is someone who has helped her during previous crises, and she specifically understands that her father is not that person. Still, the remembered image of her father intrudes during the episode, showing how the past can shape the meanings she assigns to herself even when she knows the hoped-for helper is someone else. The scene makes the legacy of the relationship visible without reducing her to it: she is confused and vulnerable, but she is also trying to interpret what is happening and identify who might help.

Ambivalence and narrative significance

When Chiaki later wants to tell a man she trusts about her father, she describes hatred and wishes that he would die, while also recalling a moment when he appeared frightened for her safety. When she was in middle school, she developed a high fever after repeated tonsil problems and was due to have an operation in a small town without a full hospital. At dinner, her father worried aloud about the local doctor and said he would kill him if anything happened to Chiaki; he then cried. She remembers this moment particularly clearly. It does not cancel her account of abuse or excuse the secrecy he imposed. Instead, it shows why her memories of him do not fit a simple division between a publicly respectable stranger and a wholly one-dimensional figure at home: fear and apparent concern exist in the same history.

The relationship also provides context for the way Chiaki speaks about her past to another person. She wants to disclose even the parts that are painful to recount, rather than keep them as her father required her to do. Her account preserves the circumstances of the abuse, the threat of separation, her eventual disclosure, and his response, while acknowledging a memory of his concern that remains emotionally significant. The tension between the image of purity he cultivated and the secret he demanded gives the relationship its defining shape: Chiaki’s effort to name what happened confronts both his denial and the silence he once enforced.