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Michigan Fever

Barkskins

Michigan Fever is the expression for the surge of white settlers into southern Michigan, and in the novel it marks the point where the lumber trade’s hunger for new forests meets a mass migration presented as opportunity. For James Duke and Lennart Vogel, the newcomers meant a potential workforce; for the people already living on the land, the same expansion belonged to a longer history of dispossession. The phrase’s buoyant promise is set against the novel’s account of what happens when forests and inhabited territories are treated as inexhaustible resources.

Meaning and Immediate Context

The term is explained at a meeting about the company’s prospects: white settlers were arriving in southern Michigan “like spring geese heading north,” and the rush itself was called Michigan Fever. Many newcomers were from Maine, where the trees drew them toward the woods. Vogel argued that a forest rich enough to attract workers would make recruitment possible, but only after Duke & Sons secured land and built sawmills. He cited the government price as one hundred dollars for an eighty-acre tract and eight hundred dollars for a section, turning the migratory surge into a concrete business opportunity.

The expression therefore describes more than population movement. It gives a name to a feedback loop: reports of abundant timber draw settlers, their arrival supplies labor, and companies seek to secure the land and infrastructure needed to turn trees into lumber. The feverish language makes the movement sound natural and nearly unstoppable, like birds following a seasonal route, while its commercial context makes clear that people and forests alike are being drawn into an expanding market.

Duke & Sons and the Search for Timber

Michigan Fever arises as James and Vogel consider how to prevent Duke & Sons from exhausting its established timber supply. James acknowledges that the company’s familiar practice of buying land or stumpage in New England and New York and cutting without a plan for finding replacement timber could eventually undo it. Trees grow slowly; nearby forests are not eternal. Vogel points north to the Michigan Territory’s extensive white pines and urges a reconnaissance, framing action as necessary before competitors seize the opportunity.

The company’s internal disagreement reveals the stakes. Edward and Freegrace hesitate over exploration, recalling an earlier missed opportunity in Pennsylvania, while James and Vogel press to move first. At the meeting, James agrees to use his own money to buy the Michigan land and then sell it to the company at an additional twenty-five cents an acre. The proposed purchase converts a generalized rush of settlers into a corporate land strategy: the company would acquire the resource before the anticipated workers and competitors could determine who controlled it.

Abundance, Dispossession, and Labor

The novel places this nineteenth-century migration within a broader history of colonial expansion. Père Crème tells a French official that the Mi’kmaq suffer as their country is taken and their children are corrupted by colonial goods and coercive practices. Later, Sosep recalls that the French king has given their land to the British, answering that the land was not the king’s to give. His warning that settlers and their animals take more and more, and that Mi’kmaq people are few against a growing wave, gives the language of migration a sharply unequal meaning: what newcomers encounter as available land is already someone else’s country.

The contrast becomes explicit in the novel’s image of a continent advertised to migrants as a generous, inexhaustible storehouse: millions arrive from Ireland, Germany, and elsewhere, drawn by forests, minerals, fish, game, and land imagined as waiting to be taken. That vision of abundance sits beside hardship rather than replacing it. Some newcomers cannot make a living; lumber workers suffer accidents, and Chicago’s rapid growth produces slums beside mills and other industries. Michigan Fever thus belongs to a national promise whose rewards are unevenly distributed and whose costs fall on both workers and the landscapes they enter.

From Settler Rush to Industrial Extraction

The lumber economy that Michigan Fever helps feed depends on a dangerous chain of labor and transport. In the camps, men rise before daylight, work in severe cold, and sleep on crowded, dirty floors. River driving is especially hazardous, and the novel notes that bosses assigned the water work to Indigenous laborers. A camp boss explains that water moves logs and powers mills, insisting that companies must accept the expense of the drive if they want timber delivered. The route from forest to sawmill is therefore not simply a matter of access: it relies on workers exposed to risks that the business calculation treats as necessary costs.

Across generations, the Sel family witnesses the tools and systems of extraction change: the poll axe gives way to the double-bitted axe and crosscut saw; gang saws yield to circular and band saws; oxen give way to horses, then donkey engines and geared locomotives; roads and trucks eventually replace river drives. These changes extend logging into forests farther from waterways and increase the scale and speed of cutting. The novel’s account of Michigan Fever consequently looks beyond the initial rush of settlers to the industrial system it anticipates: migration supplies workers, land acquisition opens forests, and new machinery makes the destruction of old growth more extensive.

Narrative Significance

The phrase’s energy carries an irony. Fever suggests excitement and forward motion, but the novel repeatedly shows that the belief in boundless forests is a dangerous misreading. Charles Duquet, earlier in the story, rejects beaver and other living resources as vulnerable to overtrapping, disease, and fickle markets, then settles on the forest as an apparently permanent source of wealth. Later, James and Vogel recognize that trees grow too slowly for nearby forests to be treated as endless, even as they plan to move into Michigan’s white pine country. Their recognition does not end the expansion; it redirects it.

Michigan Fever names the human current that makes this redirection possible, while the surrounding episodes expose the incompatible meanings of that current. To a timber company it promises workers and access to a new supply; to Mi’kmaq speakers it belongs to the encroachment that has already narrowed the freedom to live on their own land; to the loggers it offers employment under perilous conditions; and to the forest it brings increasingly powerful means of removal. The expression’s significance lies in how readily a language of opportunity can make expansion seem self-justifying, even when the novel has shown the land, labor, and communities that the promise leaves out.