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Sabine died after her third childbirth

Possession

Sabine’s death after the birth of her third child closes a family history shaped by concealed kinship, constrained choices, and incomplete records. The account confirms that she died after her third childbirth and that her husband, Raoul de Kercoz, was said to have died of grief a year later; her journal, meanwhile, documents the unspoken pregnancy and LaMotte’s return without resolving every uncertainty around the events.

Family Circumstances and Silence

Sabine’s journal records how LaMotte’s pregnancy became conspicuous but remained almost impossible for the family to discuss. Sabine describes her cousin as visibly near childbirth, while neither LaMotte nor those around her could bring the subject into open conversation. Raoul wanted to reassure LaMotte that the child would be welcomed, cared for, and raised as kin regardless of its origins, but he could not find a way to speak to her. His fear that she might be mentally unwell deepened the family’s hesitation; the household’s care took the form of small kindnesses and elaborate conversation rather than practical discussion of the impending birth.

This silence followed Sabine’s own increasingly troubled relation to her journal. She had already considered giving it up because recording jealousy and resentment seemed to give those feelings a more lasting form rather than relieve them. Yet the extraordinary secrecy around LaMotte’s condition compelled her to write again, both as an attempt to understand what she was witnessing and as a record of what the family could not say aloud. The diary thus preserves a tension between observation and uncertainty: the pregnancy is evident, but its circumstances and the family’s response remain partly withheld.

LaMotte’s Return and the Hidden Child

After LaMotte disappeared, Sabine and her father repeatedly revisited the question of where she might have gone and how she had left the village. LaMotte then returned unexpectedly. Sabine’s account emphasizes the change in her appearance: LaMotte was thin and frail, wore a heavy belt, and had cut off her hair. When Raoul moved to embrace her, she stopped him and insisted that she was well and could stand on her own feet. Her return restored her presence to the household but did not open the subject of the child or explain what had happened during her absence.

The later confession in Randolph Henry Ash’s letter supplies a crucial part of the history that Sabine’s journal could not establish. After separating from LaMotte, Ash believed, without certain proof, that she was pregnant. LaMotte arranged for the child to be born in Brittany and, with help from her sister Sophie, for the baby to be brought to England and raised as Sophie’s own. The account identifies this child as Maia and explains how concealed parentage placed her within another family. Sabine’s observations preserve the silence surrounding the pregnancy; Ash’s later account discloses the arrangement behind it.

Marriage, Children, and Death

Sabine married in 1863 after a prolonged dispute with her father over whether she could meet potential husbands. Her husband, Raoul de Kercoz, was considerably older and is described in the retrospective account as dull and melancholic, yet obsessively devoted to her. Sabine bore three children. The record states that she died in her third childbirth; it does not provide further circumstances of her death. Both daughters from the marriage died before reaching adolescence.

The account says that Raoul died of grief a year after Sabine’s death. That report gives the couple’s ending a stark asymmetry: the husband survives her childbirth but, according to what was said, does not long outlive her. The record does not establish more than this reported connection, and it leaves the lives of the children largely outside its focus.

Aftermath and Narrative Significance

Sabine’s life is also traced through her writing. She published three novels; the retrospective account singles out La Deuxième Dahud for its forceful heroine and its use of Breton mythology. Her literary career survives in the same narrative that records the losses within her family, though the evidence does not say that her fiction directly recounts her own circumstances.

Her death belongs to a larger history in which pregnancy, childbirth, and family identity are recorded unevenly. LaMotte’s child is concealed within a legitimate family because, as Euan MacIntyre explains, children born outside marriage could not inherit under the period’s law. That arrangement later makes Maia’s ancestry consequential to the ownership of the documents. Sabine’s journal offers intimate evidence of the family’s silence, while Ash’s letter and the later discussion reveal what that silence had hidden. Her death is therefore both a personal loss and part of the chain of family events through which concealed parentage shapes the present.