Ernst Kirchner

Ernst Kirchner is presented through a compact exchange with Max Klinger in which the destruction of his paintings becomes, paradoxically, a source of pride. His brief explanation defines his stance toward the persecutors: their rejection is preferable to their approval.

Identity in the Dialogue

Kirchner speaks in a short, attributed exchange with Max Klinger. The passage offers no biographical details; it characterizes him through what he says about the fate of his art.

The Burning of His Paintings

Kirchner first says, “I’m glad, no proud that those brown shirts are burning my paintings.” The correction from glad to proud sharpens his response: he does not merely accept the destruction but presents it as preferable to toleration by the people he condemns.

Rejection as a Measure of Integrity

When Max Klinger asks what he means, Kirchner explains, “Imagine how I would feel if monsters like that tolerated my work.” The exchange reverses the usual value placed on recognition. In Kirchner’s view, approval from these persecutors would be more troubling than the burning of his paintings; their hostility marks a boundary between his work and their values.