René Lévesque Resigns as Quebec Premier
SatanRené Lévesque’s resignation as Premier in the spring of 1985 marks the public culmination of a political decline that Loïc witnesses from inside the Assemblée nationale du Québec but cannot alter. Newly installed as a communications adviser, Loïc writes speeches for a leader losing his authority and watches the Parti Québécois divide over succession. When Lévesque’s departure is announced, Loïc learns of it from a journalist rather than through the communications office he serves. The episode turns political collapse into a personal and institutional rupture, while reinforcing Loïc’s sense that he repeatedly circles consequential events without directing them.
Background and the weakening leadership
The episode is set against a political history in which party allegiance is bound up with power, organization, and pressure. In an earlier election campaign, Maurice Duplessis presented himself as Quebec’s defender against Ottawa, while the Bolduc brothers organized support for the Blues in Touladi. Clovis Lacroix, whose mother was a D’Anjou, rallied young Liberals against them. Threats to Clovis’s teaching position failed to deter him; on election day, young Liberals barricaded themselves in Roland Bolduc’s garage to prevent the Blues from using alcohol to influence voters. Clovis was later arrested on a charge of attempted murder and imprisoned for several months. These earlier events are not the cause of Lévesque’s resignation, but they establish the novel’s recurring image of politics as a struggle conducted through both formal institutions and local networks of influence.
By 1985, the conflict Loïc observes has moved into the leadership and succession struggle within the Parti Québécois. He arrives at the Assemblée nationale du Québec through unexpected circumstances and finds himself witnessing the decline of a party and a cause he had embraced since youth. The narrative places this political disappointment alongside the collapse of his adoptive family, framing the episode as another misfortune in a life repeatedly touched by losses larger than any one individual. Loïc understands his own position less as that of an actor than as a recorder: he is near major events, but has little power to shape them.
Loïc watches the crisis from within
On a bleak March morning, before an important meeting preceding the resumption of the parliamentary session, Loïc sits at the end of a large table among deputies and ministers. He has been introduced as a communications adviser. Lévesque, visibly weakened by a persistent cough, rises to pour coffee; his hand trembles, and a coughing fit makes the coffee spill. The details convey a leader whose control seems to be slipping at several levels at once: over his health, his government, and his party.
Loïc compares this diminished figure with the triumphant Lévesque he had seen in Ottawa less than a decade earlier, facing Pierre Elliott Trudeau. The contrast makes the passage of political time visible in the body of the leader, but the scene’s focus is not only on physical decline. Loïc sees Lévesque’s public authority faltering as the sovereignty movement’s figurehead struggles to hold together a party turning against him. During the late winter and spring, Loïc prepares notes for speeches and other addresses, yet does so without conviction. He recognizes that words alone cannot restore either a drifting party or a leader whose hold on it is weakening.
Meanwhile, an atmosphere of conspiracy spreads through the party. Two factions gather behind the principal candidates to succeed Lévesque, maneuvering to recruit ministers and deputies. A former college companion of Loïc’s, a minister who had welcomed his arrival at the Assembly, tries to draw him into a meeting. The invitation places Loïc close to the contest for power, but the episode presents him chiefly as an observer of its intrigues rather than as a participant with influence over its outcome.
The resignation is announced
At the end of the spring session, Loïc attends a gathering of political staff at the Chalet suisse, a familiar meeting place for the political crowd. The mood at his table is convivial, and one deputy, somewhat drunk, voices confidence that the captain will remain at the helm. The expectation lasts only moments. A group enters hurriedly, including a well-known journalist who approaches Loïc with a document and asks whether he knew what was happening.
The paper is a communiqué from the Premier’s office announcing Lévesque’s resignation. For Loïc, the manner of the disclosure sharpens the shock: as the communications adviser, he should ordinarily have been the person informing journalists, not the person receiving the news from one of them. He feels caught in an ironic reversal of his professional role. Reporters and camera crews arrive in increasing numbers, seeking interviews with whichever ministers or deputies are present, and the news spreads rapidly through the restaurant.
Inside the party, the announcement brings confusion, grief, and anger. Some members withdraw to a quieter bar on rue Saint-Jean to absorb the news together. They feel abandoned by a leader who has left after months of rebuking the party, and whose departure comes as a bitter surprise rather than as a transition they control. The resignation thus ends more than an individual tenure: it exposes how far the party’s internal conflict has separated its members from the figure who had led and embodied their cause.
Aftermath and narrative significance
In retrospect, Loïc reads the spring of 1985 as the final act of a decline that had begun earlier in the decade. The novel presents the resignation not as an isolated decision but as the visible ending of a longer political disintegration, accompanied by broken ambitions and damaged collective hopes. Loïc also recalls signs that the cause was already fraying, including a young minister’s petty theft of a jacket from a department store. The incident’s disproportion to the minister’s public standing makes it, in Loïc’s later interpretation, an early sign of a wider loss of direction. It does not explain Lévesque’s resignation by itself; rather, it belongs to the accumulated evidence through which Loïc reconstructs the party’s decline.
The next day, before returning to Montreal, Loïc walks through Old Québec under a cloudy sky and compares the recent political crisis with the heroic history of New France. He sees a painful distance between the courage and scale associated with earlier figures and the indecision, rivalries, and diminished aspirations he has just witnessed. This judgment belongs to Loïc’s retrospective understanding, not to a neutral account of the province’s history. Its importance lies in the scale of his disappointment: the party’s collapse appears to him as part of a broader failure to sustain a shared national project.
The resignation also repeats a pattern in Loïc’s life. He finds himself at the center of circumstances that matter historically, yet feels that he has played no significant part in them. The novel’s account therefore makes his work in communications an apt position from which to witness the ending: he is responsible for shaping political words, but cannot supply the authority or unity those words would need to restore. Lévesque’s departure closes the immediate crisis and, for Loïc, becomes one more event recorded from close by, as a political cause and the people who carried it fall out of his reach.