Seeley Lake
BarkskinsSeeley Lake is the setting where Tom Paulin, isolated by the loss of comrades in Afghanistan, joins a crew restoring an old-growth larch forest and finds a way to carry grief into renewed life. The forest’s recovery gives this location significance beyond its role as a work site: planting and tending trees becomes a means of remembering the dead while repairing a landscape altered by past land management.
Setting and Ecological History
At Seeley Lake, the restoration crew works in an old-growth larch forest exposed to summer lightning storms. The area’s ecological history bears the marks of different interventions: Indigenous people had burned underbrush to encourage grassy meadows for deer, but in the last century thickets of Douglas fir crowded out larch sprouts. The landscape is thus neither untouched nor simply ruined; its present condition reflects successive ways of living with and managing the forest.
The crew responds to accumulated fuel around the old larches by setting it alight. The following year, seedlings surge up by the thousands. Fire here is not presented only as destruction: managed burning helps reopen conditions for larch regeneration. The change makes the work at Seeley Lake an instance of restoration through attention to ecological processes, rather than an attempt to treat the forest as an inexhaustible stock of timber.
Tom Paulin and the Restoration Crew
Tom arrives at Seeley Lake while remembering Afghanistan and the comrades he lost there. Civilian life has become unbearably lonely, and he feels that belonging remains with the broken group bound by shared experience. Running from suicidal despair, he joins the work crew among the larches. The forest offers no easy erasure of loss, but gives his grief a place and a task.
Touching the soft needles of a young tree, Tom has the unbidden thought that one of his dead friends is inside it. As the crew’s burning work is followed by a surge of seedlings, the intensity of his grief begins to soften. He later moves on to other forests, seeing his lost comrades in young trees there too. Planting seedlings becomes, for him, a repeated act of remembrance: each new tree allows him to imagine the dead continuing in a living landscape.
Restoration and Meaning
Seeley Lake brings two forms of recovery into the same narrative frame. The larch forest’s renewal follows a practical intervention and the return of seedlings; Tom’s recovery remains incomplete but becomes possible through sustained work and acts of memorialization. The parallel does not make the forest merely a backdrop for human feeling: its changing conditions, its history of burning, and the growth of new trees shape what the work can mean.
The setting also contrasts with the book’s wider history of commercial extraction, in which forests are cleared and their ecological costs left behind. At Seeley Lake, the crew attends instead to regeneration, and Tom’s labor joins that longer process. The location’s force lies in this conjunction: a damaged or crowded landscape can change, and remembrance can take the form of helping something living return.