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Assemblée nationale du Québec

Satan

The Assemblée nationale du Québec is where Loïc, newly presented as a communications adviser in 1985, watches René Lévesque’s government and political leadership falter from close range. The legislature is more than a workplace: its meeting rooms, caucus divisions, and deteriorating atmosphere turn it into a stage for the unravelling of a cause Loïc had embraced since youth, and a place where he again finds himself near major events without becoming their principal actor.

Setting and Political Context

The Assembly appears during the resumption of the parliamentary session in the spring of 1985. One bleak March morning, Loïc sits at the back of a room before a large table where several dozen deputies and ministers speak quietly ahead of an important meeting. His position is at once professional and marginal: he has been introduced as a communications adviser, but he is not among the elected figures gathered to determine the government’s course.

The political conflict surrounding the legislature has a longer background in the novel’s account of Quebec politics. In an earlier provincial campaign, Maurice Duplessis launched his appeal from the Château Frontenac by presenting himself as a defender of Quebec against Ottawa and a protector of its language and faith. In Touladi, the campaign’s division into Blue and Red factions was enforced through local networks of political loyalty and pressure. These episodes do not take place at the Assembly, but they establish the charged political world to which Loïc’s later work belongs: questions of Quebec’s political future are bound up with power, party organization, and competing claims to represent the province.

Loïc’s Arrival and Lévesque’s Decline

At the Assembly, Loïc first encounters Lévesque not as the triumphant political figure of an earlier period, but as a leader visibly losing control. At the end of the meeting table, Lévesque rises to pour coffee. A fit of coughing makes the coffee spill from the cup in his trembling hand. He then turns and approaches Loïc, offering a strained smile and remarking on the treacherous weather. The small mishap concentrates the scene’s larger contrast: the premier’s party, power, and health all seem to be slipping beyond his command.

Loïc compares this weakened figure with the Lévesque he had seen in Ottawa less than a decade earlier, facing Pierre Elliott Trudeau. The contrast makes the Assembly’s present feel like the closing phase of a much larger political arc. Lévesque, once the standard-bearer of Quebec sovereignty, now appears to Loïc as a leader caught between action and hesitation. The novel presents the decline not simply as a change in one man’s fortunes, but as the crisis of a political cause and the collective movement gathered around it.

For the rest of that late winter and spring, Loïc attends the slow deterioration of Lévesque’s leadership. He writes notes for speeches and other public remarks, but does so without enthusiasm: he doubts that language alone can right a party already drifting off course. The Assembly is therefore both the place where political messages are prepared and the place where their limits become apparent. Loïc’s professional task continues even as his confidence in its power diminishes.

Caucus Division and Confrontation

As the leadership weakens, an atmosphere of intrigue spreads through the legislature. Two factions form around the principal contenders to succeed Lévesque, and each tries to recruit ministers and deputies. One faction is quietly led by a minister who had been Loïc’s college companion and had warmly welcomed him to the Assembly. The former classmate attempts to draw Loïc into a meeting, placing him near the succession struggle without making him one of its central players.

The broader caucus atmosphere is marked by distraction and distrust. Deputies skip meetings, some worry more about hockey results than polling, and others play poker late into the night under a joking name that hints at their own declining political credit. On terraces along Grande-Allée, members mock Lévesque’s drinking and speculate about his health and resignation, while presenting a show of loyalty to journalists. The gap between private conduct and public professions of allegiance makes the Assembly’s political life appear increasingly theatrical and unstable.

In May, Lévesque finally rebukes deputies and ministers over rumors and leaks to the press. He condemns those who spread demoralizing reports from behind the scenes and insists that although he may leave one day, he will not be forced out. He also turns on the party he founded, now an instrument of his condemnation. The scene makes the legislature’s long table a site of both formal government and personal reckoning: the leader confronts a caucus he believes is turning against him, while Loïc watches in sadness.

A Vantage Point, Not a Command Post

Loïc’s work at the Assembly does not grant him decisive influence over the events he witnesses. He drafts words for a leader and a party he considers to be in decline, but sees that speeches cannot by themselves repair either. His role fits a recurring image in his reflections: he is placed near consequential historical moments, yet seems to circle above them as a recorder rather than shape their outcomes. At the legislature, that distance is sharpened by the contrast between his proximity to political power and his limited part in its decisions.

The Assembly’s presence recurs beyond Loïc’s months inside it. After leaving Régis D’Anjou, Loïc hears a radio report that plaster has fallen from the Assembly’s ceiling, striking one Liberal deputy and injuring two others. He treats the accident as a possible omen, then hears of a meteorite that has fallen near Sorel. The two reports link the institution’s ordinary material vulnerability to the novel’s larger language of signs and fate, without establishing that the accident has any supernatural cause. The Assembly remains a political workplace, but in Loïc’s retrospective imagination it is also one of the places where public decline and intimations of historical catastrophe seem to meet.

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