Le Taureau
Le Taureau—the Bull—is the professional nickname of Captain Bezu Fache, the commanding officer of the Direction Centrale Police Judiciaire. The epithet captures his physical presence and his method: a stocky, powerful man with wide shoulders, a jutting brow, and an arrow-like widow's peak that precedes him like the prow of a battleship. His dark eyes seem to scorch the earth before him, radiating a fiery clarity that forecasts his reputation for unblinking severity in all matters. The name is first mentioned by the agent who drives Langdon to the Louvre, who explains, "We call him le Taureau." Langdon, a symbologist, immediately recognizes the zodiacal reference: Taurus is always the bull, and astrology is a symbolic constant all over the world.
Identity and Physical Presence
Fache's appearance is consistently described in animalistic, predatory terms. He carries himself like an angry ox, with his chin tucked hard into his chest and his shoulders thrown back. His voice is a guttural rumble, like a gathering storm. His enormous palm crushes Langdon's hand when they shake. He is dark, almost Neanderthal, dressed in a dark double-breasted suit that strains to cover his wide shoulders. He advances on squat, powerful legs with unmistakable authority. The nickname is not merely descriptive; it is a badge of his feared reputation within the force and beyond.
Role in the Investigation
Fache is the architect of the surveillance cachée—a covert observation operation designed to trap Robert Langdon into incriminating himself. He has Langdon fitted with a GPS tracking dot, hidden in his jacket pocket by the agent who picked him up from the Ritz. He records their entire conversation, hoping Langdon will reveal a motive for the murder of Jacques Saunière. Fache's certainty that Langdon is guilty is cemented by the evidence Saunière left behind: the postscript "P.S. Find Robert Langdon" on the floor of the Grand Gallery. Fache deliberately wipes this fourth line from the crime scene before Langdon arrives, keeping it hidden to use as a psychological weapon. He is a master of the delicate art of cajoler, a lost skill in modern law enforcement that requires exceptional poise under pressure. His restraint and patience border on the robotic, and his sole emotion this evening seems to be one of intense resolve, as if this arrest were somehow personal to him.
Religious Zeal and Personal Motives
Fache is a deeply religious man, attending mass and confession with zealous regularity—far more than the requisite holiday attendance. A photo of him with the Pope hangs in his office, earning him the secret nickname "the Papal Bull" among his agents. He wears a crux gemmata tie clip—a silver crucifix with thirteen embedded pieces of black onyx, a Christian ideogram for Christ and His twelve apostles—which he openly broadcasts. His outspoken reaction to the Catholic pedophilia scandal—declaring that priests should be hanged twice, once for their crimes against children and once for shaming the good name of the Catholic Church—reveals a man whose anger is as much about institutional reputation as it is about justice. His personal financial stake in the arrest is also hinted at: he is rumored to have invested his entire savings in the technology craze and lost his shirt, and a high-profile arrest would help secure his pension.
Confrontation and Change
Fache's unwavering certainty is challenged when Sophie Neveu reveals the true meaning of Saunière's message and helps Langdon escape. Despite his fury, Fache eventually learns the truth. After Teabing's arrest, he acknowledges his mistake, telling Sophie, "I made a terrible mistake tonight. Robert Langdon is innocent. All charges against him have been dropped." He even attempts to protect them, ordering them to go to the nearest London police headquarters for refuge. In the end, he shows a measure of grace, returning Bishop Aringarosa's ring and listening to the bishop's advice: "A little faith can do wonders, Captain. A little faith." Fache's arc moves from a rigid, bull-headed certainty to a reluctant but genuine acceptance of his own fallibility.