Sothoros
Sothoros is a southern continent, a landmass of immense size and fearsome reputation that lies across the Summer Sea from the southern coasts of Essos. In the world of A Song of Ice and Fire, it is less a place of known geography than a byword for the alien, the monstrous, and the deadly. Its jungles are said to teem with creatures unknown in the civilized world, and its interior remains largely unmapped by Westerosi or Essosi explorers. The continent's primary function in the narrative is as a source of exotic goods, lethal diseases, and terrifying beasts, a shadowy realm whose horrors are felt through the tales of those who have ventured there and the afflictions they bring back.
Geography and Reputation
Sothoros is depicted as a vast, hot, and humid continent, its interior covered by dense, impenetrable jungles. The only known settlements are scattered along its northern coast, such as the slave-trading ports of the Basilisk Isles, which lie off its shore. These islands are described as lawless places, teeming with escaped slaves, slavers, skinners, and hunters. The continent itself is largely avoided by prudent sailors, who prefer to give its shores a wide berth. The few tales that emerge from Sothoros speak of brindled half-men, great apes, and other monstrous hybrids, contributing to its aura of dread. The Summer Islanders, who trade along its coasts, are among the few peoples with any regular contact, but even they do not venture far inland.
Narrative Role: The Source of Yezzan's Affliction
Sothoros's most direct impact on the plot of A Dance with Dragons comes through the character of Yezzan zo Qaggaz, a grotesquely obese and immensely wealthy Yunkish slaver. Ten years before the events of the novel, Yezzan traveled to Sothoros. Upon his return, he began to suffer from a mysterious, progressive disease that has left him rotting from the inside out. His body is a mass of weeping sores and scabs, his flesh is pale and puffy, and he emits a foul stench. This illness, which his slave Sweets describes as having made him “rotten from the inside out ever since,” has left him a dying man long before the pale mare, the bloody flux, sweeps through the Yunkish camp. The disease from Sothoros has made him grotesque and weak, a figure of both revulsion and pity. His eventual death from the flux is hastened by his already ruined constitution, a direct consequence of his journey to the southern continent.
The Brindled Men and Other Horrors
Beyond Yezzan's illness, Sothoros is referenced as the origin of other strange and fearsome beings. The fighting pits of Meereen draw fighters from the “ends of the world,” including “brindle-skinned half-men from the jungles of Sothoros.” These creatures are presented as exotic and terrifying, their very appearance marking them as alien. The continent is also the source of monstrous apes and other hybrid beasts that populate the tales of sailors and adventurers. These references serve to flesh out the world, establishing Sothoros as a place of primal, untamed horror, a dark mirror to the more civilized lands of Westeros and Essos.
Significance: A Symbol of the Unknown
Sothoros functions as a symbol of the unknown and the uncontrollable in the world. It is a place where the rules of the known world do not apply, a source of plagues and monsters that can strike without warning. Yezzan's slow, agonizing decay serves as a grim reminder of the dangers that lurk beyond the edges of the map, a physical manifestation of a curse brought back from a land that should have been left alone. The continent's very obscurity makes it a powerful narrative tool, a reservoir of the strange and the terrible that can be drawn upon to add depth and danger to the world without ever needing to be fully described.