General Dreedle's wing
General Dreedle's wing is the combat command structure that oversees Colonel Cathcart's bomb group in Joseph Heller's Catch-22. As the wing commander, General Dreedle represents a blunt, old-school military establishment that values results over appearances, yet his authority is steadily eroded by the bureaucratic machinations of General Peckem and the insubordination of men like Yossarian. The wing is the organizational arena in which the novel's central conflicts over mission quotas, survival, and the absurdities of military hierarchy unfold, and Dreedle's eventual replacement by Peckem marks a decisive shift in the power dynamics that govern the characters' fates.
Structure and Command
General Dreedle's wing comprises four bomb groups, including Colonel Cathcart's group stationed on Pianosa. Dreedle himself is a blunt, chunky, barrel-chested man in his early fifties, with a squat red nose and lumpy white eyelids. He runs a "fighting outfit" and has little patience for the pretensions of officers like General Peckem, who commands the Special Service Corps and constantly seeks to expand his jurisdiction. Dreedle's command style is direct: he believes that the young men who take orders from him should be willing to give up their lives for the ideals of the old men he takes orders from. He is accompanied everywhere by his nurse—a chubby, short, blonde woman with plump dimpled cheeks and a lush bosom—and by his son-in-law, Colonel Moodus, whom he detests but keeps in the military business at his wife's insistence. Dreedle's relationship with Moodus is one of constant bickering; he frequently threatens to bust him down to private and put him on K.P. for a year, and he takes sadistic pleasure in using his nurse's provocative purple silk uniform to torment his son-in-law.
Conflicts and Bureaucratic Warfare
Dreedle's wing is the site of a persistent jurisdictional struggle with General Peckem, who seeks to place all combat units under the Special Service Corps. Peckem's efforts are initially thwarted by ex-P.F.C. Wintergreen, the mail clerk at Twenty-seventh Air Force Headquarters, who throws Peckem's prolix communications into the wastebasket while expediting Dreedle's more straightforward directives. However, Dreedle's position is gradually undermined. He is incensed by Peckem's directive requiring all tents in the Mediterranean theater to be pitched along parallel lines with entrances facing the Washington Monument, dismissing it as "a lot of crap." Yet he cannot prevent Peckem from encroaching on his authority. Dreedle's own behavior—he drinks heavily and his moods are arbitrary and unpredictable—contributes to his vulnerability. At unguarded moments, his hard and sullen face slips into a somber, preoccupied look of defeat and frustration.
Key Interventions and Decline
Despite his gruff exterior, Dreedle occasionally intervenes in ways that undercut his own subordinates. When Colonel Cathcart tries to punish Yossarian for standing naked in formation to receive a medal, Dreedle dismisses the concern, asking, "What the hell do I care if he's punished or not?" and ordering Cathcart to proceed with the ceremony. Similarly, when the chaplain is thrown out of the officers' club, Dreedle countermands the order, insisting that the chaplain belongs there mingling with the men. Yet Dreedle's authority is not absolute. During the briefing for the Avignon mission, when a wave of moaning spreads through the room, Dreedle quells it with a stern command, but he also orders Major Danby taken out and shot—an order that is only rescinded when Colonel Moodus whispers that he cannot legally shoot anyone he wants. Dreedle's power is further eroded by his inability to control the bureaucratic forces arrayed against him. He is eventually replaced by General Peckem, a change that Colonel Korn announces with triumphant laughter, telling the chaplain, "General Dreedle is out, Padre. And General Peckem is in." Dreedle's departure marks the triumph of administrative cunning over straightforward command, and his wing passes into the hands of a general who values bomb patterns and memoranda over the messy realities of combat.