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Alik Sel

Barkskins

Alik Sel is Peter Sel’s young son, already trusted with the rudder of his father’s boat and skilled in handling both vessel and water. When economic hardship presses the Mi’kmaq community toward wage labor, Peter wants him to remain in fishing and passenger work; Alik instead slips away at night to join the lumber camps. His brief but consequential arc connects a family’s struggle to secure a livelihood with the dangerous transformation of forest work, where Indigenous labor is valued while its workers are assigned some of the most perilous tasks.

Identity and Family

Alik appears as one of the younger generation in Peter Sel’s family and community. During a return voyage from Sydney harbor, Peter tells Aaron Sel that Alik is his son and praises him as a good sailor. He is eleven winters old, but already knows the boat and the water well enough to take the rudder while his father speaks with Aaron. The detail establishes both Alik’s youth and the practical responsibility he has acquired through life on the water.

His family’s boat is not merely a setting for his introduction: it represents a possible livelihood. Peter asks Alik to mind the rudder, and later offers a place in the family’s work of carrying passengers and fishing. Alik accepts that work in principle, telling Peter he wants to help with the boat. Yet when the community’s need for money becomes urgent, that attachment to the family vessel proves insufficient to keep him from the woods.

The Choice to Leave the Boat

As the younger men discuss finding employment, Alik voices the immediate appeal of logging camps: at least there, they will have food. Peter refuses to let him go, insisting that he is needed on the boat for passengers and fishing. This is a concrete disagreement over scarce work and the young man’s place in the family economy, not simply a dispute over obedience. Peter’s plan preserves a role for his son within the community’s existing work; Alik’s generation sees wages in the camps as a way to bring money to everyone.

Alik does not answer Peter’s order with an open confrontation. He says nothing, then slips away in the night. The quiet departure gives his choice its force: the younger men’s movement into logging is achieved not through a declared break with their elders, but through leaving beyond the reach of parental supervision. In the end, nine young men head to lumber camps across Nova Scotia, New Brunswick, and Maine. Alik’s departure belongs to that larger change, as work in the woods increasingly draws young Mi’kmaq men away from the boat and older ways of making a living.

Work in the Logging Economy

The camps offer food and measure men by the work they can perform, but their conditions are severe. Lumbermen rise before daylight, eat cold salt pork and boiled tea, and carry sharpened axes to the cut. They return in near darkness to a crowded shanty, where they sleep on a damp, filthy floor beneath a greasy blanket shared with louse-infested men. In winter, workers wait in merciless cold with their axes held beneath their jackets to keep the steel from freezing. The labor is organized around endurance, speed, and risk rather than security.

Logging’s danger is distributed unequally. River work is understood to be the most hazardous part of the operation, marked by wooden crosses along the banks and by the bodies found in backwaters. A camp boss explains that water moves the logs and powers the mills, so companies must pay the cost of driving them downstream. Yet Mi’kmaq workers are sent onto the moving timber with other Indigenous laborers, treated as if they were naturally suited to violent water. The practical necessity of the river drive and the company’s need to deliver logs to the sawmill are set against the human danger borne by those who guide them.

The work also changes across generations as new tools and transport systems reshape the logging process. The Sels see the poll ax give way to the double-bitted ax and then the crosscut saw; gang saws yield to circular saws and long band saws. Oxen are replaced by horses, then by donkey engines and Shay-geared locomotives. As roads reach timber farther from navigable water, trucks and roads displace the river drives. Mechanization changes how trees are felled and moved, but does not make the labor benign: workers must tend crashing machinery, and injury and death remain constant hazards.

Family Livelihood and Generational Change

Alik’s departure foreshadows a longer history of Sel men working across the woods of Nova Scotia, New Brunswick, and Maine. For three generations, they fell and spud trees, build booms and corduroy roads, drive logs, work sawmills, and cut cordwood, pulp, and pit props. The family’s work shifts with the industry, from hand tools and river transport toward machines and roads, while the risks of logging remain severe. A worker in the profession must be watchful and lucky to live more than seven years, a measure of the danger that shadows the livelihood Alik chooses.

The episode also marks a generational break in authority. Peter and Etienne Sel try to watch over their sons, but the boys resent the parental eye and escape to more distant camps. The talking stick, used in the discussion of whether the young men should seek work, is tossed into the fire: it is described as the last talking stick a Sel ever held. Alik’s nighttime departure and the destruction of this communal object accompany a shift from deliberation within an older social practice toward wage labor organized by logging companies. His story gives that broad historical change a personal point of entry: an eleven-winter-old sailor leaves the boat his father needs him to tend for work that promises food, but binds his generation to dangerous labor in the woods.