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Blade Scugog

Barkskins

Blade Scugog is the younger son of the lumberman Scugog and an independent operator in the Gatineau timber trade. He challenges his father’s reliance on squared timbers for export, securing permission to make boards and shingles for settlers he expects to arrive after the war. When a wildfire destroys his sawmill, he goes to Québec to raise money for a rebuild. His brief story makes him a counterpoint to his father: both pursue timber wealth, but Blade bets on domestic settlement and refuses to treat disaster as the end of his enterprise.

Identity and Business Position

Blade runs a logging shanty farther up the Gatineau than his father’s operation. The Sel family moves to his camp, preferring work with round logs. Blade’s deep, rough voice is familiar to lumbermen along the river, and his business choices distinguish him from the older Scugog. Whereas his father cuts squared timbers for a market tied to warships and export, Blade seeks a permit for lumber intended for domestic use.

That difference is practical as well as generational. Blade sees a possible market in the settlers he expects to follow the war: people who will need boards and shingles for houses. His plan depends on the growth of settlement, not on continued demand for heavy ship timbers. He also objects to cutting without permits, identifying his father’s unauthorized operations as a foolish risk rather than a sound route to profit.

Conflict with His Father

The disagreement becomes explicit when the older Scugog demands to know what Blade thinks he is doing. Blade answers that thousands of settlers will come after the war and need building materials. He also objects to squared warship timbers because the Crown can seize them without payment. The father dismisses the expected settlers as fanciful and warns that wars, and therefore demand for squared timber, will always continue.

Their exchange exposes competing assumptions about both markets and power. The older Scugog trusts a familiar military demand and believes future settlement in the region unlikely; Blade anticipates population growth and recognizes that the Crown’s ability to take timber without remuneration makes the export-oriented business vulnerable. He turns his father’s dependence on purchasers against him, pointing out that the older man comes to Blade seeking introductions to buyers for his own squared timber.

The Sawmill and Its Destruction

Blade’s sawmill operates through the summer, but a fast-moving wildfire catches it during a dry September and burns it to the ground. The loss directly threatens the business he has built around domestic lumber. The episode places commercial ambition within a landscape where timber operations are exposed not only to markets and permissions but also to fire.

Blade refuses to accept the destruction as final. He rushes to Québec, borrows money, and sets about rebuilding, declaring that, even if he knows little about squared timbers, he knows how to make money. The decision does not prove that the rebuilt mill succeeds; it shows instead how firmly he holds to his capacity to recover and continue after a ruinous setback.

Narrative Significance

Blade’s conflict with his father gives the lumber economy two different time horizons and customer bases: war-driven demand for squared export timber, and the anticipated needs of settlers building homes. The later arrival of settlers, with bridges, mills, postal service, and new settlements, confirms the historical force behind Blade’s forecast, though the account does not establish the eventual outcome of his own enterprise.

His story also belongs to a wider account of logging’s human and ecological costs. Timber moved through cutting camps, river drives, sawmills, and distant markets, while workers faced exhausting conditions and dangerous river work. Elsewhere, the forest is repeatedly treated as though it exists for commercial use, and large-scale cutting leaves waste and damaged landscapes. Blade’s permit-conscious, domestically oriented business is a distinct approach to the market, but the evidence does not present him as a conservationist: his defining aim remains making money from timber.